April 28, 2024

Media Decoder Blog: The Breakfast Meeting: Cable Lifts Earnings at Time Warner and News Corp. and the Surprise Seller of a Malibu Mansion

Cable television propelled Time Warner to a 51-percent increase in net income during the final quarter of 2012, offsetting weaknesses in magazine publishing and movies, Amy Chozick reports. Revenue rose 5 percent for the company’s television networks, which include TNT, TBS and CNN, even as Time Inc., the nation’s largest magazine publisher, prepared to lay off 6 percent of its work force. Revenue at the Warner Brothers studio fell 4 percent, despite strong performances by “Argo” and “The Hobbit: An Unexpected Journey.” The results point to a widening gap between the rapidly growing cable television industry and the troubled magazine and, to a lesser extent, movie businesses.

News Corporation also grew through its cable offerings, though perhaps for different reasons, Amy Chozick writes. Growth at the company’s cable channels like FX, Fox News and regional sports channels helped News Corp. more than double its net income in the three-month period that ended Dec. 31, offsetting lingering costs from the phone hacking scandal and the expense of a planned split of the media conglomerate into two companies. Fox Group will include the company’s cable channels, while the company’s newspapers, including The Wall Street Journal and the New York Post, and the Harper Collins publishing and Australian pay-TV assets will become a new company called News Corporation. The results highlight how disparate Rupert Murdoch’s empire has become: Cable channels now make up more than 60 percent of the company’s overall profit, while publishing, though stronger than last year, continues to struggle.

Barbie has listed the mansion she has lived in since 1971 in the imaginations of millions, perhaps in response to the rising housing market. Mattel, the company that owns the Barbie brand, announced that her home is available for an asking price of $25 million, as part of an ad campaign that will combine actual and imaginary elements, Stuart Elliot explains. For instance, a section of Trulia, the real estate Web site, will carry a listing. The campaign is intended to rejuvenate Barbie sales, which flagged about 4 percent in the last quarter, the third quarterly decline in 2012.

Steven Spielberg’s fascination with Abraham Lincoln began with a visit to the Lincoln Memorial when he was six years old, the director told Melena Ryzik. “Lincoln,” which now leads the Oscar nominations with a dozen nominations, was the final result. But it did not come easily — the film took more than 12 years to come together, involved multiple script rewrites and required a reverential respect for detail.

“Community,” one of NBC’s quirkiest and most original comedy shows, returns for its fourth season this evening without the guiding hand of Dan Harmon, the show’s creator, who was let go last season. Fans of the show can expect a sad simulacrum of “Community” that lacks the dense, fast-paced humor that required careful attention, Mike Hale writes.

Article source: http://mediadecoder.blogs.nytimes.com/2013/02/07/the-breakfast-meeting-cable-lifts-earnings-at-time-warner-and-news-corp-and-the-surprise-seller-of-a-malibu-mansion/?partner=rss&emc=rss

Media Decoder Blog: Seeing a Movie Over the Holidays? Best to Find a Comfy Seat

LOS ANGELES — The top three movies at the box office have a combined running time of 8 hours and 11 minutes — but who’s counting?

Length seems not to be much of an issue this season. “Les Misérables,” at more than two and half hours (157 minutes, to be exact), took in $12.2 million in domestic ticket sales on Wednesday, according to boxofficemojo.com, for a total of $30.3 million since it opened Christmas Day.

“The Hobbit: An Unexpected Journey,” was ahead of “Les Miz” in running time, at 169 minutes, but slightly behind in Wednesday sales, with $11.4 million. That brought its total since opening two weeks ago to almost $180 million.

“Django Unchained,” about four minutes shorter than “The Hobbit,” had about $10 million in sales on Wednesday, for a total of about $25 million since opening on Christmas.

Maybe there’s a message in the way these films are playing both long and strong: If you’re going to charge premium prices for movie tickets, you’d better give the people their money’s worth.

Article source: http://mediadecoder.blogs.nytimes.com/2012/12/27/seeing-a-movie-over-the-holidays-best-to-find-a-comfy-seat/?partner=rss&emc=rss

New Zealand Wants a Hollywood Put on Its Map

“This was given to me by the president of the United States,” said Mr. Key, marveling that President Obama’s official gift to New Zealand was, after all, a New Zealand product.

In Mr. Key’s spare blond-wood office — with no goblins in sight — the sword looked decidedly unmagical. But it served as a reminder that in New Zealand, the business of running a country goes hand in hand with the business of making movies.

For better or worse, Mr. Key’s government has taken extreme measures that have linked its fortunes to some of Hollywood’s biggest pictures, making this country of 4.4 million people, slightly more than the city of Los Angeles, a grand experiment in the fusion of film and government.

That union has been on enthusiastic display here in recent weeks as “The Hobbit: An Unexpected Journey,” the first of three related movies by the director Peter Jackson, approached its world premiere on Wednesday in Wellington (and on Dec. 14 in the United States). Anticipation in New Zealand has been building, and there are signs everywhere of the film’s integration into Kiwi life — from the giant replica of the movie’s Gollum creature suspended over the waiting area at Wellington Airport to the gift shops that are expanding to meet anticipated demand for Hobbit merchandise (elf ears, $14).

But the path to this moment has been filled with controversy. Two years ago, when a dispute with unions threatened to derail the “Hobbit” movies — endangering several thousand jobs and a commitment of some $500 million by Warner Brothers — Mr. Key persuaded the Parliament to rewrite its national labor laws.

It was a breathtaking solution, even in a world accustomed to generous public support of movie projects, and a substantial incentive package was included: the government agreed to contribute $99 million in production costs and add $10 million to the studio’s marketing budget. And its tourism office will spend about $8 million in its current fiscal year, and probably more in the future, as part of a promotional campaign with Time Warner that is marketing the country as a film-friendly fantasyland.

For a tiny nation like New Zealand, where plans to cut $35 million from the education budget set off national outrage earlier this year (and a backtrack from the government), the “Hobbit” concessions were difficult for many to swallow, especially since the country had already provided some $150 million in support for the three “Lord of the Rings” movies.

Now, even amid the excitement of the “Hobbit” opening, skepticism about the government’s film-centric strategy remains. And recently it has become entangled with new suspicions: that Mr. Key’s government is taking cues from America’s powerful film industry in handling a request by United States officials for the extradition of Kim Dotcom, the mogul whose given name was Kim Schmitz, so he can face charges of pirating copyrighted material.

New Zealand’s political scene erupted in September, as Mr. Key publicly apologized to Mr. Dotcom for what turned out to be illegal spying on him by the country’s Government Communications Security Bureau. The Waikato Times, a provincial paper, taunted Mr. Key, accusing him of making New Zealand the “51st state,” while others suggested that a whirlwind trip by Mr. Key to Los Angeles in early October was somehow tied to the Dotcom case.

“No studio executive raised it with me,” Mr. Key said in an interview last month. He spoke the day after a private dinner where he lobbied executives from Disney, Warner Brothers, Fox and other companies for still more New Zealand film work, with Mr. Jackson, a New Zealander, joining by video link.

Mr. Key has been sharply criticized for cozying up to Mr. Jackson in what some consider unseemly ways. Last year, a month before elections in which he and his National Party were fighting to keep control of the government, Mr. Key skipped an appointment with Queen Elizabeth II in Australia to visit the Hobbiton set. He also interviewed Mr. Jackson on a radio show, prompting an outcry from the opposition.

Article source: http://www.nytimes.com/2012/11/24/business/media/new-zealand-wants-a-hollywood-put-on-its-map.html?partner=rss&emc=rss