May 2, 2024

Media Decoder Blog: The Breakfast Meeting: ‘The Bachelor’ Draws Viewers, and Martha Stewart’s Need for Privacy

ABC’s romance reality show “The Bachelor” has experienced a rare resurgence after a downswing that lasted several seasons , Amy Chozick and Bill Carter report. The show, which pairs a hunky man with dozens of heavily made-up women until he picks one as his fiancée, has become the unlikely exception in a television season when almost every other show on ABC and its competitors has declined. The audience has increased to 8.8 million viewers, 3.3 million of whom are 18 to 49 years old, the most attractive group for advertisers. The show is especially popular among women, particularly those in households that make more than $100,000 a year.

The contract dispute between Martha Stewart, J.C. Penney and Macy’s is unquestionably one of the most attention-getting contract law tiffs in recent memory, David Carr writes, but the best thing for Martha Stewart Living Omnimedia may be to step away from the spotlight. Her original sin may have been taking a small, growing company public in 1999 — Martha Stewart Living now receives the scrutiny of a public company without capital benefits or operational guidance. Her company’s problems are typical of a magazine publisher (ad pages dropped 29 percent last year), and as Martha Stewart Living, inextricably tied to its namesake, transitions to a merchandising enterprise it might be wise to become less visible, possibly by going private once again.

“Harlem Shake’s” astounding viral success has attracted the attention of former reggaetón artist Hector Delgado and Philadelphia rapper Jayson Muson, whose work was prominently sampled in the song without permission, James C. McKinley Jr. writes. Both Mr. Delgado and Mr. Muson are seeking compensation from Mad Decent Records, the label that released the Baauer hit. Small labels like Mad Decent often rely on producers to clear their samples, especially in electronic dance music, because they do not have legal departments. The tale of this unexpected sensation highlights the free-for-all nature of underground dance music and the power of the Internet to create a No. 1 hit outside the major-label system.

A new ad campaign by Degree deodorant, which divided into men’s and women’s versions in 2005, will aim to persuade both sexes of Degree’s efficacy by showing how well it works for athletes of both sexes trying sports they don’t play professionally, Andrew Adam Newman reports. The campaign, by Davie Brown Entertainment, will feature athletes like Knicks star Carmelo Anthony in the boxing ring and Olympic track star Lolo Jones racing in a bobsled with the tagline “Do:More.” Degree had taken divergent approaches to advertise the two lines, with commercials for the men’s line emphasizing Degree’s ability to withstand high-impact sports like mountain biking and those for the women’s line focusing on how Degree does not stain clothing as women work and socialize.

Awesomeness TV, a YouTube-based channel for teenagers, is an early example of how YouTube can create new media crossovers, Brooks Barnes writes. The channel had not introduced its MTV-style programs last year at this time, but it now has an audience of over 400,000 and 80.6 million video views, and on Friday an Awesomeness movie will be released in AMC theaters. The movie, “Mindless Behavior: All Around the World,” is a concert film and documentary about the boy band Mindless Behavior — it will run in 120 theaters where social network data indicates the band is the most popular.

Harvard secretly searched the e-mail accounts of its staff members last fall to find who leaked news of its recent cheating scandal to the media, Richard Pérez-Peña reports. The searches, first reported by The Boston Globe, involved the e-mail accounts of 16 resident deans, who were not told that their accounts had been breached until a few days ago. Last August Harvard publicly revealed that “nearly half” of the students in a large government course had worked together or plagiarized for a take-home final exam in the spring of 2012. No deans were disciplined after the searches, but faculty members interviewed said they expected anger from the news.

Article source: http://mediadecoder.blogs.nytimes.com/2013/03/11/the-breakfast-meeting-the-bachelor-draws-viewers-and-martha-stewarts-need-for-privacy/?partner=rss&emc=rss

Media Decoder Blog: The Breakfast Meeting: Hollywood Adapts to Gun Violence, and Senators Criticize ‘Zero Dark Thirty’

The Breakfast Meeting

What’s making news in media.

The massacre of first-grade students at Sandy Hook Elementary School in Newtown, Conn., last week has prompted soul searching among Hollywood executives about the kind of fare they are producing, as well as the more practical question of which TV shows and movie screenings should proceed and which should be delayed, Brooks Barnes and Bill Carter write. In a sad reflection of the prevalence of gun-related violence in recent months, these executives have become expert at quickly assessing exactly how bloody — and potentially offensive — their shows and movies are. For example, USA network can perform a keyword search for “shooting,” “school” and “children” to check scripts of programs about to air.

Three prominent United States senators on Wednesday joined critics of the film “Zero Dark Thirty” over its depiction of C.I.A. interrogations in the ultimately successful hunt for Osama bin Laden, Scott Shane writes. In a letter to Michael Lynton, chairman and chief executive of Sony Pictures Entertainment, which is releasing the film, the senators called the film “grossly inaccurate and misleading in its suggestion that torture resulted in information that led to the location” of Bin Laden. The three — Dianne Feinstein, Democrat of California; Carl Levin, Democrat of Michigan; and John McCain, Republican of Arizona — called on Sony to “consider correcting the impression that the C.I.A.’s use of coercive interrogation techniques led to the operation” against Bin Laden, but they do not explain exactly how that could be done.

  • The documentary “We Steal Secrets,” about Julian Assange and the whistle-blower site Wikileaks, will debut at the Sundance Film Festival in January and represents the beginning of a boomlet in Wikileaks related filmwork, Michael Cieply writes. The documentary is a collaboration between the producer Marc Shmuger, the former chairman of Universal Pictures, and the Oscar-winning director, Alex Gibney.
  • Also in January, DreamWorks Studios and Participant Media plan to begin shooting a dramatic feature film to be directed by Bill Condon. HBO also has had plans for an Assange movie, and Mark Boal, the writer and a producer of “Zero Dark Thirty,” continues to work on a possible Assange drama based on a New York Times Magazine article, “The Boy Who Kicked the Hornet’s Nest” by Bill Keller.

An investigation of the sexual abuse crisis within the British Broadcasting Corporation concluded on Wednesday that leadership hampered by “rigid management chains” left the organization “completely incapable” of dealing with the crisis, John F. Burns and Stephen Castle write. The report, written by Nick Pollard, a veteran British broadcast executive, criticized the decision to drop a segment that would have exposed decades of sexual abuse by Jimmy Savile, a BBC fixture; but it said that confusion and mismanagement, not a cover-up, lay at the heart of the decision. Also, the report also did not challenge the assertions of Mark Thompson, then head of the BBC and current president and chief executive of The New York Times Company, that he had no role in killing the Savile investigation.

Jenni Rivera, the Mexican-American singer and television star who died in a plane crash in Mexico on Dec. 9, experienced a surge in sales, both in CDs and digital downloads, Ben Sisario writes. Taylor Swift remained atop the Billboard album for a fifth week with her album “Red” (Big Machine) recording 208,000 sales, according to Nielsen SoundScan. The 64,000 albums reported on Wednesday represented a 10-fold increase; a compilation album released just two days after Ms. Rivera died, “La Misma Gran Señora” (Fonovisa), reached No. 38 on the overall Billboard album chart.


Article source: http://mediadecoder.blogs.nytimes.com/2012/12/20/the-breakfast-meeting-hollywood-adapts-to-gun-violence-and-senators-criticize-zero-dark-thirty/?partner=rss&emc=rss