April 19, 2024

Cries of Betrayal as Detroit Plans to Cut Pensions

Now there is a new worry: Detroit wants to cut the pensions it pays retirees like Ms. Killebrew, who now receives about $1,900 a month.

“It’s been life on a roller coaster,” Ms. Killebrew said, explaining that even if she could find a new job at her age, there would be no one to take care of her husband. “You don’t sleep well. You think about whether you’re going to be able to make it. Right now, you don’t really know.”

Detroit’s pension shortfall accounts for about $3.5 billion of the $18 billion in debts that led the city to file for bankruptcy last week. How it handles this problem — of not enough money set aside to pay the pensions it has promised its workers — is being closely watched by other cities with fiscal troubles.

Kevyn D. Orr, the city’s emergency manager, has called for “significant cuts” to the pensions of current retirees. His plan is being fought vigorously by unions that point out that pensions are protected by Michigan’s Constitution, which calls them a contractual obligation that “shall not be diminished or impaired.”

Gov. Rick Snyder of Michigan, a Republican who appointed Mr. Orr, signed off on the bankruptcy strategy for the once-mighty city, which has seen its tax base and services erode sharply in recent years. But the governor said he worried about Detroit’s 21,000 municipal retirees.

“You’ve got to have great empathy for them,” Mr. Snyder said in an interview. “These are hard-working people that are in retirement now — they’re on fixed incomes, most of them — and you look at this and say, ‘This is a very difficult situation.’ ”

On Sunday, Mr. Snyder fended off the notion that the city needed a federal bailout. “It’s not about just putting more money in a situation,” the governor said on “Face the Nation” on CBS. “It’s about better services to citizens again. It’s about accountable government.”

Many retirees see the plan to cut their pensions as a betrayal, saying that they kept their end of a deal but that the city is now reneging. Retired city workers, police officers and 911 operators said in interviews that the promise of reliable retirement income had helped draw them to work for the City of Detroit in the first place, even if they sometimes had to accept smaller salaries or work nights or weekends.

“Does Detroit have a problem?” asked William Shine, 76, a retired police sergeant. “Absolutely. Did I create it? I don’t think so. They made me some promises, and I made them some promises. I kept my promises. They’re not going to keep theirs.”

Vera Proctor, 63, who retired in 2010 after 39 years as a 911 operator and supervisor, said she worried that at her age and with her poor health, it would be difficult to find a new job to make up for any reductions to her pension payments.

“Where’s the nearest street corner where I can sell bottles of water?” Ms. Proctor asked wryly. “That’s what it’s going to come down to. We’re not going to have anything.”

Officials overseeing Detroit’s finances have called for reducing — not eliminating — pension payments to retirees, but have not said how big those reductions might be. They emphasized that they were trying to spread the pain of bankruptcy evenly.

When the small city of Central Falls, R.I., declared bankruptcy in 2011, a state law gave bondholders preferential treatment — effectively protecting investors even as the city’s retirees saw their pension benefits slashed by up to 55 percent in some cases.

Detroit, by contrast, wants to spread the losses to investors as well as pensioners, and hopes to find cheaper ways to cover retirees through the subsidized health exchanges being created by President Obama’s health care law.

Bill Nowling, a spokesman for Mr. Orr, said the emergency manager’s restructuring plan would treat bondholders the same as retirees in bankruptcy.

Steven Yaccino reported from Detroit, and Michael Cooper from New York. Erica Goode and Monica Davey contributed reporting from Detroit, and Mary Williams Walsh from New York.

Article source: http://www.nytimes.com/2013/07/22/us/cries-of-betrayal-as-detroit-plans-to-cut-pensions.html?partner=rss&emc=rss

Eye on Ratings, ABC Peers Into the Disney Toy Chest

That is changing. As part of a wide-ranging effort to find new hits, ABC is looking to the Magic Kingdom for firepower.

Among ABC’s 24 pilots for the next television season is a drama based on Big Thunder Mountain Railroad, a Disneyland roller coaster. Another pilot, “Marvel’s Agents of S.H.I.E.L.D.,” is based on ancillary characters from “The Avengers,” which last year took in $1.5 billion at the global box office for Marvel Entertainment, a Disney unit. And “Once: Wonderland,” a spinoff of “Once Upon a Time,” a successful fairy tale television series introduced in 2011, focuses on Alice and her pals.

“It seemed crazy to live within the walls of one of the best content companies in the world and not to be taking advantage of it,” said Paul Lee, ABC’s president of entertainment.

These efforts are only in the pilot stage, Mr. Lee cautioned, adding that he is not trying to turn ABC into a Disney Channel for adults; programs that overtly trade on Disney stories could turn off ABC’s more sophisticated viewers. Harold L. Vogel, author of “Entertainment Industry Economics,” said Mr. Lee also faces pushback from TV producers who might revolt at “importing concepts from elsewhere in the corporation.” But if the concept works, ABC’s ratings troubles could ease or even reverse. Mr. Lee would also gain political capital within the company: Robert A. Iger, Disney’s chief executive, has made cross-company cooperation and franchise expansion a focus of his reign.

For the season to date, and including sports, ABC ranks last among the Big Four broadcast networks in the advertiser-friendly demographic of adults 18 to 49. The network’s prime-time slate has attracted an average of 2.9 million viewers in that age bracket, a 4 percent decline from the same period last year, according to Nielsen.

Sports-heavy NBC and Fox both rank slightly ahead of ABC by this measure, though both have had steeper year-on-year declines. CBS, bolstered by the Super Bowl, ranks No. 1, with an average of 3.8 million adults 18 to 49.

ABC has its strengths — a large degree of family co-viewing is one, the hit sitcom “Modern Family” is another — but, like all broadcasters, it has struggled to find new breakout hits and has a limited marketing budget. Mr. Lee hopes to better use Disney’s vast empire to get people to notice his new programs. “Once Upon a Time,” for instance, has been advertised on the Disney Cruise line, and costumes from the series have been exhibited at Disney parks.

“Big Thunder” comes from Melissa Rosenberg, a writer-producer who is best known for her work on the “Twilight” movie series. Mr. Lee described it as “a rock ’n’ roll western” — in its spirit if not in actual song — about a man who moves to a mining town with his ailing son, whose health begins to mysteriously improve.

ABC and Marvel have kept a tight lid on “S.H.I.E.L.D.,” but the pilot was directed and co-written by Joss Whedon, who also directed “The Avengers” and is known to TV fans as the force behind “Buffy the Vampire Slayer.” The “S.H.I.E.L.D.” project, which got its start when Mr. Iger personally suggested that ABC take a look at it, focuses on spies who oversee superhero field operations.

Mr. Lee’s hunt for programming with more Disney DNA comes as ABC shares more talent with its popular cable cousin, ABC Family. Joey Lawrence of the ABC Family series “Melissa Joey,” for instance, has doubled as a host of “Splash,” a diving competition reality show, on ABC this spring.

Article source: http://www.nytimes.com/2013/04/08/business/media/eye-on-ratings-abc-peers-into-the-disney-toy-chest.html?partner=rss&emc=rss

App Smart: For the iPad, Books That Respond to a Child’s Touch

The latest book apps to appear on my iPad include The Fantastic Flying Books of Mr. Morris Lessmore ($5), Angelina Ballerina’s New Ballet Teacher ($1), The Wrong Side of the Bed in 3-D ($3), Oh, the Thinks You Can Think! ($4) and Cars 2 Storybook Deluxe ($6).

They’ve scored higher marks with my children than the earliest book apps, like Miss Spider’s Tea Party and Toy Story 2 Read-Along.

Even though publishers haven’t yet woven the interactive thrill of the Elements chemistry app or the AirCoaster roller coaster app into a children’s narrative, the book apps are usually much cheaper than traditional books. It’s hard to feel cheated with a purchase.

The first thing to keep in mind when buying children’s books on the iPad — many of them are also available for the iPhone and iPod Touch — is that there are two places to buy them, the iTunes App Store and the iTunes Books store. The Books store has categories devoted to Children and Teens and Kids’ Picture Books.

Apps in those categories follow the traditional book model, with text and illustrations and little else.

In the iTunes App Store, though, offerings for children are scattered among the 41,000 books that include sound, animation or graphics that respond to the reader’s touch.

Aside from highlighting a children’s book app in the New and Noteworthy or What’s Hot selections, Apple gives parents little help in finding selections for their children. Kirkus, the book review service, devotes a Web page to its 2010 list of best iPad books for children, and sites like CNet, Gizmodo and others occasionally mention good ones as well.

I chose three from those sources and added the Cars 2 and Dr. Seuss books, which were released last week, as examples of the latest products from well-financed developers.

Of those, Morris Lessmore is the best. It is a visually stunning bit of work with entertaining interactive features.

The content is largely pulled from the animated short film of the same name, which tells the story of a young man’s experience with a magical library. The app’s pages are brief movie scenes that pause to reveal interactive elements: books suddenly fly at the reader’s touch, for instance, and readers can play a piano or scribble in a blank book of their own.

The interactions are placed with a storyteller’s touch, so they generally serve the narrative instead of distracting from it.

If there’s a flaw, it’s that the book is not suitable for a wide enough audience. Between the narrator’s voice and the animation, young readers can probably follow the action, but as a reading experience it is beyond the reach of, say, 7-year-olds.

One imagines future books of this type with alternative narratives tailored to different age groups. For now, Morris Lessmore is better suited to older children and preteenagers.

Slightly younger children will appreciate Angelina Ballerina, which also deftly mixes animation into a traditional children’s book format. The story involves a ballet-centric drama consistent with other installments in the “Angelina” TV and publishing franchise.

The artwork isn’t nearly as arresting as that of Morris Lessmore, but it is beautiful in its own right, and the interactions are engaging. If you touch a character’s image, for instance, it acts out a fragment of the plot. But a character will sometimes react to the actions or words of another character, so if you tap them in the incorrect sequence you’re rewarded with non sequiturs.

The text occasionally includes highlighted ballet terms that, when tapped, yield a printed and narrated explanation of the term. It would be nice to see that feature extended to more words that could trip up early readers.

The newest book apps on my list, Oh the Thinks You Can Think! and Cars 2, fairly represent the market’s approach to new readers. Oh the Thinks is conventional Seuss fare. The illustrations aren’t animated, but the images move subtly across the page to enliven the graphics. Like other book apps for early readers, Oh the Thinks highlights each word as the narrator reads it. But if you tap important characters or images from the story, the narrator speaks the operative word — “wall,” for instance — and an animated rendering of the word pops out at the reader.

I’ll let literacy specialists and parents debate the pedagogical merits of this approach, but my immediate impression was that it probably couldn’t hurt.

Cars 2 is more entertainment (and, arguably, media branding) than children’s literature. That will suit many parents and children just fine, of course, but a beginning reader can sometimes lose the text in the wash of animation, music and sound effects. As with many other book apps for children, this one includes a coloring book option, simulated jigsaw puzzles and games for many pages. In other words, it’s more app than book.

Come to think of it, that’s not a bad way to see the genre at the moment — more app than book, but the book is gaining.

At least on Apple devices, that is. On Android, I found almost nothing worth recommending. The ones I tried often featured static, low-resolution graphics with advertisements intruding on the story. Oceanhouse Media, which publishes Oh the Thinks and many other children’s book apps on Apple, also distributes most of them on Android tablets and phones. But that wasn’t the case for any of the other good Apple app books I tried.

If Android tablets make a bigger dent in the iPad’s market share, the imbalance in the book app category will most likely shift. For now, though, the category is almost all Apple’s.

Quick Calls

Tennis fans can track the month’s biggest tournament on their Apple devices free, with Wimbledon, from the All England Lawn Tennis Club. … N.O.V.A. 2 HD, the poplar first-person shooter game on iTunes, is now available on Android for $7. … Slightly tamer: Pretty Pet Salon for Android, free.

Article source: http://feeds.nytimes.com/click.phdo?i=cfc77251faddd5375b8b2c2865417fa0