April 27, 2024

Media Decoder Blog: Bertelsmann Acquires Full Control of BMG Music Company

Five years after its last exit from the music industry, Bertelsmann will take control of its restarted music company, BMG Rights Management, in a deal that values BMG at $1.4 billion. The company announced early Friday that it was buying the 51 percent stake of BMG owned by its partner, Kohlberg Kravis Roberts.

The companies did not comment further on the deal, which is expected to close in the first half of the year. But a person with direct knowledge of it, who spoke on condition of anonymity because the terms were confidential, said the purchase price was between $700 million and $800 million, including debt.

“We are bringing the music home to our group,” Thomas Rabe, the chairman and chief executive of Bertelsmann, said in a statement. “A few years after our exit from the traditional music business, in association with KKR, we have succeeded in building the world’s fourth- largest music rights management business.”

The deal signals a full return to the music business for Bertelsmann, the German media giant that also owns Random House and the magazine publisher, Gruner + Jahr. After building BMG into a global powerhouse in the 1980s and 1990s, Bertelsmann sold most of its music holdings through a series of deals with Sony and Universal in the mid-2000s. Then it restarted BMG in 2008.

With $270 million invested from KKR, BMG then made a string of acquisitions, mostly in music publishing, the side of the business that deals with the copyrights for songwriting and is seen as less vulnerable to the marketplace changes that destabilized the recorded music industry.

“We saw that music was going to make a comeback,” said Philipp Freise, a KKR partner who led the firm’s investment in BMG. “Everybody said music was going to die, but we said music will not die — it will grow.”

BMG quickly built a catalog of more than one million songs by musicians ranging from Johnny Cash and Quincy Jones to Duran Duran and Will.i.am of Black Eyed Peas. It has also bought some recorded music assets, but lost out on recent major label auctions, including the Warner Music Group in 2011 and the Parlophone Label group, part of EMI, earlier this year.

Mr. Rabe has said that he expects BMG’s annual revenue to grow to more than $640 million in the next four to five years, up from about $390 million in 2012.

Hartwig Masuch, the chief executive of BMG, said in an interview on Friday that with Bertelsmann as its sole owner, the company could be “more aggressive moving forward” in developing its business, particularly with more recorded music rights.

“What we initially envisioned for BMG was an integrated rights company based on nontraditional models,” he said. “The old world was about complex distribution structures. Now you can license multiple users and distributors. The key is not infrastructure but how good are you at monetizing and accounting for those rights.”

Article source: http://mediadecoder.blogs.nytimes.com/2013/03/01/bertelsmann-acquires-full-control-of-bmg-music-company/?partner=rss&emc=rss

Media Decoder Blog: Universal Sells EMI Stake in Popular Music Series

The Universal Music Group has made the last of the divestitures ordered by European regulators as part of its $1.9 billion purchase of EMI’s recorded music division, closing a drawn-out process but significantly lowering Universal’s cost in the deal.

Universal announced on Wednesday that it had sold EMI’s share of the long-running pop compilation series “Now That’s What I Call Music!” to Sony Music. The price was not disclosed, but it has been reported at about $60 million.

Universal will retain its share of the “Now” brand, a joint venture by Sony, EMI and Universal, which began in Britain in 1983 and came to the United States in 1998. The series has sold more than 200 million albums around the world.

Universal, now by far the world’s largest music company, made its deal for EMI in November 2011 with Citigroup.

After months of negotiations, European regulators approved the deal in September on the condition that Universal sell about a third of EMI’s recorded music assets. (In a parallel sale, an investor group led by Sony bought EMI’s music publishing side for $2.2 billion.)

Along with the sale of the Parlophone Label Group to the Warner Music Group for $765 million, the Sanctuary and Mute labels to BMG Rights Management for about $72 million, and a number of smaller deals, Universal has reaped just under $900 million on the sales. That is nearly half what it had paid for EMI, although some of the assets, like Sanctuary, were owned by Universal.

This week Universal’s parent company, the French conglomerate Vivendi, reported that Universal had just under $6 billion in revenue in 2012, up 8.3 percent from the year before; excluding revenue from EMI, the gain was 1.6 percent. Universal also had $694 million in earnings before interest, taxes and amortization for the year, up 3.6 percent from 2011, or 1.6 percent without EMI.

In its earnings report, Vivendi said it still expected more than $150 million in annual savings after absorbing EMI.


Ben Sisario writes about the music industry. Follow @sisario on Twitter.

Article source: http://mediadecoder.blogs.nytimes.com/2013/02/28/universal-sells-emi-stake-in-popular-music-series/?partner=rss&emc=rss