April 26, 2024

Dennis Rodman in North Korea, With Vice Media as Ringleader

The executive was Michael Lombardo, and the partner was Vice Media, the Brooklyn media company with something of a daredevil streak. The conversation happened about a month ago, when production was well under way on “Vice,” a newsmagazine that will have its premiere on HBO on April 5.

The company’s bosses said they were planning a visit to the secretive country, centered on an exhibition basketball game with the flamboyant former N.B.A. star Dennis Rodman and three members of the Harlem Globetrotters. HBO decided to add what Mr. Lombardo said was “a little bit” of extra financing, beyond what it had already agreed to pay for the newsmagazine.

“It felt like something that could be interesting for the show,” Mr. Lombardo, HBO’s president for programming, said last Friday as he recalled the meeting.

By Friday, the trip wasn’t just “interesting,” it was international news. Kim Jong-un showed up for the exhibition game in Pyongyang the day before, making Mr. Rodman and Vice’s film crew the first Americans known to have met the North Korean ruler since he inherited power from his father in 2011.

On television and online, people were debating which group was benefiting more from the publicity, Vice or the North Korean leadership. At the State Department, reporters wanted to know why the United States government wasn’t visibly doing more to debrief Mr. Rodman about his interactions with Mr. Kim, the dictator whom he pronounced his “friend.”

The Vice crew remains in North Korea; several more days of filming are scheduled. But Mr. Rodman returned home over the weekend, and in his first interview — on ABC’s “This Week” on Sunday — he said Mr. Kim was “a great guy” and said “he wants Obama to do one thing, call him” — which generated even more news headlines.

To say this was all part of Vice’s master plan would overstate the matter. The producers and reporters had no assurances that Mr. Kim would attend the game. But when they arranged the trip to North Korea, a rarity in and of itself, they thought like diplomats. To get what they wanted, they considered what they could give — and they came up with Mr. Rodman and the Globetrotters. “We knew he’d be tempted by basketball,” said a Vice spokesman, referring to Mr. Kim.

The Kim dynasty’s love for the sport, and for the Chicago Bulls in particular, was evident on the Vice co-founder Shane Smith’s two previous trips to the country. In a telephone interview, Mr. Smith recalled that when the Bulls would come up in conversation with North Korean handlers, “their eyes would light up.” The handlers made sure to show him the basketball signed by Michael Jordan and given to Kim Jong-il by Secretary of State Madeleine Albright in 2000, now on display at a museum in Pyongyang.

Mr. Smith described his staff’s chats about the trip: “We said to ourselves, ‘Well, if we go through normal channels, it’s almost impossible to get in. But what if we put together a sort of exhibition basketball team to go over there?’ ” It has been called “basketball diplomacy” in the press since Mr. Rodman and company arrived — “and that was the actual idea,” Mr. Smith added.

Vice has a reputation for stunt journalism, having dispatched people in the past to war zones and hot spots overseas. On its main Web site over the weekend, an immersive article from India was sandwiched between a first-person essay titled “My Month Without Sex” and another essay about marijuana. The company also publishes magazines, records and YouTube videos, among other things.

For HBO, the newsmagazine partnership — announced last spring — was a leap, something Mr. Lombardo acknowledged in an interview. But “the whole idea of Vice is to take you places where other organizations are not going,” he said.

That’s North Korea in a nutshell, since access to the country is so tightly controlled. To get in, a liaison between North Korea and Vice suggested that the company donate basketball hoops and scoreboards to North Korean schools — a good-will gesture of sorts at the beginning of discussions about a visit.

Vice employees based in China did so. The company also contacted Mr. Rodman and the Globetrotters, and paid them an undisclosed amount to take the trip, which began last Tuesday. Mr. Smith, apparently unwelcome in the country because of his previous documentaries, has stayed in touch with his crew there through brief sessions on Skype.

Mr. Lombardo indicated that the apparent nuclear test by North Korea two weeks ago, widely condemned by the international community, did not change the producers’ thinking about the trip. He noted that Vice was an independent producer, like many of HBO’s partners.

“This was not, and Vice is not, about going in and doing the definitive story on North Korea and arms,” Mr. Lombardo said. “This was always intended to be, ‘You know what, let’s get our camera into an isolated country that we hear about, we read about and yet is hard for us to even picture.’ ”

Mr. Lombardo said he was in awe when he saw the photos of Mr. Rodman and Mr. Kim. Mr. Smith felt similarly: “It’s kind of blowing us away,” he said Friday.

While aware that past visits by American celebrities have become propaganda material for North Korean officials, Mr. Smith said he was a “firm believer in dialogue.” He was also aware, he said, that “the last 50 years of diplomacy between North Korea and the U.S. has failed.” But then he quickly added: “We’re not trying to save the world. We’re not politicians. We’re trying to show people something that they won’t see anywhere else.”

Vice and HBO have not determined when the footage from North Korea will be broadcast. The first few episodes of the newsmagazine are mostly finished; there will be eight in total, so it could be saved for the season finale.

Article source: http://www.nytimes.com/2013/03/04/business/media/dennis-rodman-in-north-korea-with-vice-media-as-ringleader.html?partner=rss&emc=rss

Actors in Smaller Studios, Making Pictures for the Smaller Screen

“We need it clean,” the sound man shouted. They shot it yet again, the actors holding back their hysterics until the cameras were off.

The scene, an episode of a sketch comedy show called “AsKassem,” was destined not for theaters or TV, but for YouTube. But with the green screen, film crew, actors and expensive cameras and lights, it went far beyond the typical one-man YouTube videos filmed in a basement with a webcam.

It was produced by Maker Studios, one of several production houses that have sprung up to help create and distribute videos for the Web. Financed by venture capitalists and grants from Google’s YouTube, these studios are trying to play the same role for the online video service that United Artists did almost a century ago for movies or MTV did for television in the 1980s.

“These are new-generation studios, folks that are growing up from the basement who are choosing to collaborate and form these networks,” said Hunter Walk, head of product management at YouTube. “In many ways they are like the first cable stations 30 years ago.”

Maker Studios’ videos, for instance, have almost as many daily viewers as Nickelodeon.

It is a major shift in Google’s strategy for YouTube. Google is taking a much greater role in aiding the creation of original content for the site by nurturing these studios because betting on professional content from established movie and TV studios has not panned out.

YouTube sorely needs more high-quality content to compete with video-streaming services like Netflix and Hulu for both viewers and advertisers.

“YouTube counts for the largest share of people’s home video-watching, but once people start watching that professional content on Hulu or Netflix, it quickly expands to become the predominant viewing and takes time away from YouTube,” said James L. McQuivey, a digital media analyst at Forrester Research.

Some YouTube video creators have been making money, in some cases lots of it, for a couple years. But as the site has exploded — 35 hours of video are now uploaded every minute, according to YouTube — it can be hard for video creators to build regularly viewed channels, not just one-hit viral wonders.

The start-up production companies — including Maker, Machinima, Mahalo, Vuguru and Next New Networks, which YouTube recently bought — try to help them. The studios tend to be near but still outside the boundaries of Hollywood, both geographically and in the work they do.

They generally pluck talented video creators and help them make videos by providing the costumes, cameras and paychecks needed to make a more professional-looking video. They help build viewership with strategies like linking to their videos from other popular ones in the same network. YouTube sells ads and shares the revenue with the companies and creators.

Kassem Gharaibeh, the creator of “AsKassem,” was working at a Best Buy and doing stand-up on the weekends to crowds of 15 people at Chinese restaurants when he met the founders of Maker Studios. They paid him $1,000 a month, enough to pay his rent so he could quit his job and devote his time to posting videos more than once every three weeks. 

Two of Maker’s founders and well-known actors, Lisa Donovan and Shay Butler, known on YouTube as LisaNova and ShayCarl, appeared in his videos, introducing him to their audience. He gained access to editors and a camera crew, a house to shoot in (or sleep in), and closets overflowing with turquoise wigs and fake diamond crowns.

In a year, his YouTube audience ballooned from 50,000 to 1.3 million. “I honestly don’t think I would have been able to reach those numbers myself,” said Mr. Gharaibeh, who goes by KassemG on YouTube.

The videos these studios produce are mainly sketch comedy, how-to lessons and video-game tutorials. But it is only a matter of time before long-form videos and episodic dramas appear online, video producers say. If Google TV takes off and people watch YouTube on their television screens, they could attract a much larger audience.

“I think you’re going to see it happening any minute,” said Allen DeBevoise, chief executive of Machinima, a network of video-game videos. “That stuff’s expensive, but we’re getting there because advertisers are moving to online video.”

Machinima is negotiating with a Hollywood TV studio to buy “Bite Me,” a series about a zombie outbreak in Los Angeles that Machinima developed last year.

Article source: http://feeds.nytimes.com/click.phdo?i=4fcba83f9c00f990e393cee800877a95