December 21, 2024

Advertising: Old-Line Snack Is Highlighting Fervor of Fans

Rather than as a platform for cheese or dips, Wheat Thins are marketed as an unaccompanied snack. The word crackers, once printed on the front of the box, has been replaced with the word snacks, and even the nutrition panel has banished the word, where a serving size in the original flavor is “15 pieces.” Flavors more familiar to the snack aisle have been introduced, including spicy buffalo and zesty salsa in 2012.

Commercials have shown Wheat Thins stirring the sort of ardor in consumers that no saltine ever could. The newest commercial opens with a man in pajamas sitting in his kitchen, a box of Wheat Thins nearby. It is nighttime, and as he puts a contraption on his head, his wife, also in pajamas, enters the kitchen and asks what he is doing.

“Using night-vision goggles to keep an eye on my Spicy Buffalo Wheat Thins and make sure nobody touches them,” he says.

“Who’s going to take your Wheat Thins?” she says.

“Um, I don’t know,” he says, “an intruder, the dog, Bigfoot, Ted from next door.”

She turns off the light and the screen goes dark. There is the sound of a struggle in the kitchen and she turns on the light to reveal her husband clinging to the shoulders of an abominable snowman.

“Honey, I was close, it’s a yeti!” he shouts, as their neighbor runs into the kitchen and steals the Wheat Thins.

The spot closes with the new slogan for the brand: “Must. Have. Wheat Thins.”

The commercial, which will be introduced in Super Bowl pregame coverage on Feb. 3, is by the New York office of Being, part of the TBWA Worldwide unit of the Omnicom Group.

Wheat Thins, which declined to reveal expenditures for the campaign, spent $19.4 million on advertising in the first nine months of 2012, more than the $18.6 million it spent for the full year of 2011, according to Kantar Media, a unit of WPP.

Lisa Topol, a creative director at Being, said that while the commercial was a fantasy, it grew out of interviews with fans whose attachment was startling.

“When we interviewed people about Wheat Thins, they used words like ‘I want to marry them,’ and, ‘If you take them away, I’ll die,’ ” said Ms. Topol. “They would get slightly almost insane when they talked about it, and say things like, ‘I love them more than my wife.’ ”

Nowhere in the commercial does anyone eat the product, or say it is toothsome, but Brett Edgar, a group account director at Being, said the commercial aimed to depict an emotional connection to Wheat Thins rather than sell them overtly.

“More conventional snacks would have a bite-and-smile, but we’re taking it to a more own-able, unique place for Wheat Thins,” said Ms. Edgar.

Harry Balzer, an analyst at NPD Group and the author of its annual Eating Patterns in America study, pointed to an upsurge in snacking. The three fastest growing foods in the country over the last decade in terms of consumption are yogurt, nutrition bars and chips, said Mr. Balzer, adding that all are popular between meals.

Negative attitudes about snacking have been dissipating, with 43 percent of Americans in 2012 saying that they tried to avoid snacking, down from 71 percent in 1985, according to NPD.

“You don’t have to go far in the food world to find that everyone is interested in snacks because we’re moving toward how to eat without cooking,” Mr. Balzer said.

In a promotion leading up to the Super Bowl that began on Jan. 20 and runs through Sunday, the brand is pitting fans of the San Francisco 49ers and Baltimore Ravens against one another on Twitter and Instagram.

Users in each city are hoping to post the most messages on the social media platforms that include the hashtag #musthavewheatthins with either #BAL or #SF. In the city that wins, 1,000 consumers will receive a delivery on Super Bowl Sunday of a 10-box assortment of Wheat Thins, valued at about $37. To win, beginning on the morning of the Super Bowl, participants in the victorious city will have to be among the first 1,000 within a set geographic area to register over Twitter.

The deliveries will be made by 30 branded vehicles, each with two Wheat Thins representatives, who, along with dropping off the snacks, are being encouraged to linger to watch a play or two when recipients are welcoming.

A real-time counter at musthavewheatthins.com is tracking the competition, with the digital execution of the promotion by AKQA, part of WPP.

Wheat Thins, which has more than 61,000 fans on Twitter, had a promotion called Twitterventions beginning in 2010. Consumers who were not intentionally reaching out to the brand, but just mentioning it in posts, received unannounced visits from a crew from the brand, with a forklift depositing an entire pallet of Wheat Thins on their property. Some were captured by a film crew and featured in commercials.

Katie Williams, marketing director for wholesome crackers at Mondelez International, which owns the Nabisco brand, said that the latest social-media promotion, like the new advertising, is meant to expand the ranks of Wheat Thins fanatics.

“This is based on the premise coming from our fans who view Wheat Thins as more than a snack and is really about this passionate relationship,” Ms. Williams said. “We wanted to celebrate that relationship in an entertaining way and hopefully lead others to discover that love, and entice them to join that clan, as we call it.”

Article source: http://www.nytimes.com/2013/01/25/business/media/old-line-snack-is-highlighting-fervor-of-fans.html?partner=rss&emc=rss

Media Decoder Blog: Absolut Vodka Takes a Rare Step and Adds an Agency to Its Lineup

Executives who sell Absolut vodka are doing something they rarely do: expanding the roster of advertising, marketing and communications agencies they work with.

The Absolut Company, a division of Pernod Ricard, is adding Sid Lee, an agency based in Montreal that also has offices in cities like Amsterdam, New York and Toronto. The agency, which works for marketers like Adidas, Cirque du Soleil and Ubisoft, is being named to create the next worldwide campaign for Absolut, which is scheduled to begin appearing in summer 2013.

There was no review or pitch before Sid Lee was added, said Mathias Westphal, global brand director for Absolut, which is based in Stockholm. Absolut executives simply liked the work the agency had produced for clients like Cirque du Soleil.

The campaign is to include traditional advertising; digital advertising; so-called experiential marketing, which involves events and other ways to bring products to life in tangible forms; social media; and branded entertainment, meaning the production of content in which Absolut will be interwoven into the plots.

Absolut has for many years worked with two agencies that lead the global work on its campaigns. One, specializing in television, print and other mainstream forms of advertising, is TBWA Worldwide, part of the Omnicom Group, and its TBWA/Chiat/Day office in New York. The other is GreatWorks, based in Stockholm, which specializes in digital advertising.

It is TBWA/Chiat/Day and a predecessor, TBWA Advertising, that have created the well-known Absolut ads featuring the brand’s distinctive bottle, artists like Andy Warhol, flavored vodkas and novelties like snow globes and gloves. That relationship with Absolut dates back more than 30 years, through several owners and distributors of the brand.

Both TBWA and GreatWorks will continue to work on Absolut, Mr. Westphal said.

The reason that Absolut decided to “appoint Sid Lee as one of our lead agencies on a global level,” Mr. Westphal said in a phone interview on Thursday, was a rethinking of how Absolut needed to be advertised and marketed, particularly when it came to millennial consumers.

“There’s a bit of a shift in our marketing model, to doing from saying,” Mr. Westphal said — in other words, away from traditional ads that talk about the product to focusing on experiences that the product can offer consumers.

Sid Lee is “bringing a lot of fresh, new thinking to today’s millennial generation,” he added.

Another reason for reconsidering how Absolut is sold is what Mr. Westphal called the “fierce competition” in the premium segment of the vodka market that confronts Absolut.

Absolut was once almost alone in its field of imported vodkas that cost more than domestic brands like Smirnoff. Now it faces scores of rivals, both in its price range as well as from vodkas that are known as superpremiums, brands like Grey Goose and Ketel One that cost more than Absolut.

“As a brand, when we started out, we were challenging conventions,” Mr. Westphal said. “We need to do that now.”

Absolut is the fourth-largest spirits brand in the world, behind Bacardi, Smirnoff and Johnnie Walker, meaning it is still the biggest brand of imported vodka. In most countries in which it is sold, including the United States, it is also the best-selling premium or imported vodka.

At Sid Lee, the Absolut work will be primarily handled out of its Amsterdam office, with the New York office, a relatively new addition, and the Toronto office also taking part.

“It’s a big deal for us,” said Bertrand Cesvet, chairman of Sid Lee in Montreal.

And “it’s humbling,” he added, to join TBWA on the Absolut agency roster, because “there’s a great body of work and a great heritage.”

“Absolut has been one of the most consistent brands in history” in terms of its ad approaches, Mr. Cesvet said. “It’s a new era.”

Eric Alper, vice president for strategy and lead account partner for Absolut at Sid Lee, based in the Toronto office, said: “To reach, touch and engage millennials, advertising can’t be like wallpaper. You have to create advertising that can compete with pop culture.”

TBWA will continue to create campaigns for other brands sold by the Absolut Company and the Pernod Ricard parent, among them Jameson and Kahlua.

After the campaign for Absolut for 2013 begins to run, Mr. Westphal said, “where we go in the future is an open question.”

Asked if, going forward, each assignment from Absolut will be a so-called jump ball, with the roster agencies competing to be selected for the work, Mr. Westphal replied, “Right now, Sid Lee has caught that ball.”

In another sign of how competitive the vodka market is, another vodka brand said on Thursday that it was hiring an agency it had not worked with before.

Belvedere vodka, produced and distributed by LVMH Moët Hennessy Louis Vuitton, selected BBDO Worldwide, also an Omnicom agency, to handle a project, creating its next global campaign. The ads are expected to begin running in spring 2013.

Belvedere had most recently worked with another Omnicom agency, the Arnell Group in New York, as its creative agency of record.


Article source: http://mediadecoder.blogs.nytimes.com/2012/12/06/absolut-vodka-takes-a-rare-step-and-adds-an-agency-to-its-lineup/?partner=rss&emc=rss