November 18, 2024

Media Decoder Blog: Keep America Beautiful Turns to Social Media

A hub for volunteers is being added to Keep America Beautiful's Web site. A hub for volunteers is being added to Keep America Beautiful’s Web site.

A nonprofit organization founded in 1953 is turning to social media to amplify its voice among consumers interested in causes like helping the environment.

The organization, Keep America Beautiful, is adding a Web site it calls a social volunteer hub, at kabcleanup.org, to its regular Web site, kab.org. The hub Web site is intended to assist people who volunteer for the organization’s annual initiative, the Great American Cleanup, in reaching out to each other as well as to friends and family.

The hub Web site includes links to and aggregates posts on social platforms like Facebook, Foursquare, Instagram and Twitter.

Other steps intended to give Keep America Beautiful a more contemporary public face include a new logo and the organization’s participation in events at the coming South by Southwest Interactive Conference and Festival in Austin, Tex.

“There was a need to revisit our brand,” Matt McKenna, president and chief executive of Keep America Beautiful in Stamford, Conn., said in a phone interview on Thursday, because “our brand wasn’t keeping up with all the work we were doing.”

In addition to efforts focused on reducing littering, Mr. McKenna said, the organization and its almost 600 local affiliates around the country are involved in activities that include “recycling, community gardens, urban forestry, graffiti abatement, composting and disaster restoration.”

Social media are “a tremendous tool, a tremendous resource,” Mr. McKenna said, because they not only “allow us to collect all that our volunteers are doing and tell their stories” but also enable the volunteers to “talk to each other,” which “feeds on itself” and encourages additional volunteering.

Mr. McKenna plans to discuss the hub and other efforts the organization is taking at the South by Southwest Interactive Festival, which begins on Friday and continues through Tuesday. He is to take part in a luncheon on Saturday, during Tech Cocktail’s SXSW Startup Celebration.

Also on Saturday, the organization’s Austin affiliate, Keep Austin Beautiful, is sponsoring a volunteer cleanup at four local sites to which conference attendees are being invited.

Keep America Beautiful is also teaming with the Glad Products Company unit of Clorox to talk to conference attendees who visit SouthBites, where food trucks will be parked from Friday through Tuesday.

Keep America Beautiful is handling most of the change efforts internally, Mr. McKenna said, with “some help from our friends at Cone in Boston.” Cone, an agency that specializes in what is known as purpose marketing, pro-social marketing or cause marketing, is owned by the Omnicom Group.

The “high-water mark in public perception” for Keep America Beautiful, Mr. McKenna acknowledged, was probably the “crying Indian” public service campaign that was created on behalf of the organization in 1971 by the Marsteller agency and the Advertising Council.

“When people know what that is, I know how old they are,” he said, laughing.

Article source: http://mediadecoder.blogs.nytimes.com/2013/03/07/keep-america-beautiful-turns-to-social-media/?partner=rss&emc=rss

Media Decoder Blog: Backstage to Acquire Sonicbids

Looking for a part on Broadway? Or maybe a showcase at South by Southwest? Both searches could end up fielded by the same company, now that two of the leading sites that help actors and up-and-coming musicians find work are joining together.

Backstage, a publication that since the “Mad Men” age has been a highly trafficked job board for actors, will announce on Wednesday that it is buying Sonicbids, a Web site that lets bands book performances at festivals, clubs and elsewhere.

The deal is estimated at $15 million, and will be financed by Guggenheim Partners, whose media properties include Dick Clark Productions and Prometheus Global Media, the company behind trade publications like Billboard and The Hollywood Reporter.

Backstage and Sonicbids serve separate parts of the entertainment world, but they have similar business models, offering users some access free and charging subscriptions for more extensive features. John Amato, the chief executive of Backstage, and Panos Panay, the founder of Sonicbids, said in a joint interview on Tuesday that the combined company would have 600,000 registered users, with 60,000 of them paying subscribers.

Listings by and for performers seeking work are the bread and butter of both sites. Backstage is still published in print, but Mr. Amato said that more than 70 percent of its business is online. Since 1960, Backstage has been the bible of casting calls and audition notices for Broadway, film and television.

“If you have a desk job, there are a lot of places you can go to find a job online,” said Mr. Amato, who will lead the combined company. “If you are a creative, there aren’t a lot of those places.”

Sonicbids, founded in 2001, lets its users build online press kits and apply for shows with promoters. It competes with other artist-services companies like ReverbNation, and also Myspace, where musicians of every level can create public profiles. Sonicbids is also the platform used by the South by Southwest festival for band applications.

The site has also tried to make itself a talent forum to attract corporate brands, like Bud Light and Gap, that are looking for music for ads or promotional campaigns.

“We find that bands are not just looking for gigs,” Mr. Panay said. “They are also looking to connect with brands, to have their music in TV commercials, to have their music on Broadway and in film.”

Sonicbids, based in Boston, will retain its name and staff, as will Backstage, which has offices in New York and Los Angeles.


Ben Sisario writes about the music industry. Follow @sisario on Twitter.

Article source: http://mediadecoder.blogs.nytimes.com/2013/01/30/backstage-to-acquire-sonicbids/?partner=rss&emc=rss