October 30, 2024

Professor Says He Has Solved a Mystery Over a Slave’s Novel

But one part of the story remained a tantalizing secret: the author’s identity.

That literary mystery may have been solved by a professor of English in South Carolina, who said this week that after years of research, he has discovered the novelist’s name: Hannah Bond, a slave on a North Carolina plantation owned by John Hill Wheeler, is the actual writer of “The Bondwoman’s Narrative,” the book signed by Hannah Crafts.

Beyond simply identifying the author, the professor’s research offers insight into one of the central mysteries of the novel, believed to be semi-autobiographical: how a house slave with limited access to education and books was heavily influenced by the great literature of her time, like “Bleak House” and “Jane Eyre,” and how she managed to pull off a daring escape from servitude, disguised as a man.

The professor, Gregg Hecimovich, the chairman of the English department at Winthrop University in Rock Hill, S.C., has uncovered previously unknown details about Bond’s life that have shed light on how the novel was possibly written. The heavy influences of Dickens, for instance, particularly from “Bleak House,” can be explained by Bond’s onetime servitude on a plantation that routinely kept boarders from a nearby girls’ school; the curriculum there required the girls to recite passages of “Bleak House” from memory. Bond, secretly forming her own novel, could have listened while they studied, or spirited away a copy to read.

The research also shows that Bond may have been given a man’s suit by a member of the Wheeler family who was sympathetic to her desire to flee.

Professor Hecimovich, 44, said that he has verified the writer’s identity through wills, diaries, handwritten almanacs and public records. He intends to publish his full findings in a book, tentatively titled “The Life and Times of Hannah Crafts.”

His work has been reviewed by several scholars who vouch for its authenticity, including Henry Louis Gates Jr., one of the nation’s pre-eminent scholars of African-American history. Professor Gates bought the obscure manuscript at auction in 2001.

“Words cannot express how meaningful this is to African-American literary studies,” he said in an interview. “It revolutionizes our understanding of the canon of black women’s literature.”

Professor Gates said that Professor Hecimovich’s discovery answers one of the large and lingering questions that has vexed him for more than a decade about the author of the book.

Hollis Robbins, the chairwoman of the department of humanities at Johns Hopkins University, called it a “tremendous” finding. “I’m totally convinced,” she said, “to the extent that anything historical can be documented without an iPhone picture of her writing the novel.”

The book, whose language borrows from 19th-century Gothic novels, traces the story of its narrator, who endures life as a slave on a North Carolina plantation and, aided by her light complexion, successfully escapes to the North.

That tale closely mirrors the story of Bond. Enslaved on a plantation in Murfreesboro, N.C., Bond is believed to have been a self-educated woman who worked as a maid to the mistress of the house, Ellen Wheeler, assisting her with errands and personal duties, like styling her hair.

But around 1857, Bond disguised herself as a boy and escaped, fleeing first to upstate New York and then to New Jersey, where she eventually married and found work as a schoolteacher.

The novel, Professor Hecimovich believes, had its beginnings in the Wheeler home, where Bond could have had access to the family’s library and its writing materials, including a distinctive paper that was used to connect the novel to the Wheelers.

Article source: http://www.nytimes.com/2013/09/19/books/professor-says-he-has-solved-a-mystery-over-a-slaves-novel.html?partner=rss&emc=rss

Media Decoder Blog: Jennifer Egan Leaves Knopf for Scribner

Jennifer EganPulitzer Prize Board, via Associated Press Jennifer Egan

The Pulitzer Prize-winning novelist Jennifer Egan quietly switched publishers this summer, joining Scribner, a division of Simon Schuster, from Alfred A. Knopf, a division of Random House.

“I have known and read Jenny Egan for 25 years, and I am ecstatic about working with her on her next books,” said Nan Graham, who was recently promoted to publisher at Scribner and who played a key role in wooing Ms. Egan. “She is as dedicated and brilliant and compassionate as any novelist writing today.”

Ms. Egan only published two books with Knopf: “The Keep” (2006) and “A Visit From the Goon Squad” (2010). But both were well reviewed, and “Goon Squad” won numerous awards, culminating in the Pulitzer Prize for fiction.

Yet despite this impressive record under her editor at Knopf, Jordan Pavlin, Ms. Egan decided it was time to move on.

Both she and her agent, Binky Urban of International Creative Management, said that they did not want to get into why the move was made and that the move was not news because it was widely known within the industry.

Publishing sources pointed out that before she was with Knopf, Ms. Egan had a three-book deal with Doubleday and then moved on. They also said she was offered seven figures for a two-book deal with Simon Schuster as an extra enticement.

In a sign of the author’s sensitivity about the move, the news was not announced publicly by Scribner’s at the time.

When asked why she had kept the coup under wraps, Ms. Graham said it was timing. “We had hoped to wait until Jenny had finished a new novel,” she said, “and we could shout from the rooftops about the book we were going to publish.”

Ms. Egan said her next book would be ready in two years at the soonest.


Leslie Kaufman writes about the publishing industry. Follow @leslieNYT on Twitter.

Article source: http://mediadecoder.blogs.nytimes.com/2012/12/18/without-any-fanfare-jennifer-egan-switches-publishers/?partner=rss&emc=rss