November 22, 2024

Media Decoder: One View of the News World

When Xinhua, the official government news agency of China, wanted to upgrade from its old office in Queens, it sought out a space that matched its ambitions. So it leased the top floor of a skyscraper in Midtown Manhattan, one with commanding views of the headquarters for Thomson Reuters, the News Corporation, The New York Times and other leading news organizations that have offices nearby.

Last week in its own official account of the “opening ceremony” — this was no mere relocation, it was an arrival — the news agency said that its location gave it “a spectacular spot in this center stage of world-class media.”

Xinhua proudly paraded curious reporters, most of them Chinese, through its new North American headquarters at 1540 Broadway, regaling them with facts that illustrated its reach.

The agency has been reporting from New York for 40 years, and now employs 41 people in the city. In North America, it has bureaus in Chicago, Houston, San Francisco, Los Angeles and Vancouver, to name a few. A slide show playing on a large screen mounted on the wall of the airy office reception area ticked off milestones. 1971: United Nations bureau opens. 1985: Cairo and Mexico City. 2004: Brussels.

“It’s just like Thomson Reuters or Bloomberg,” said the tour guide, Ariel Lei Yang, Xinhua’s director for television operation.

Except that Thomson Reuters and Bloomberg do not answer to the Communist Party.

Xinhua is trying to convince the world that it is more than a propaganda arm of the Chinese government, but it is finding that message a tough sell. Taking questions, Xinhua’s vice president Zhou Xisheng was asked twice whether the news agency could ever be objective as an arm of the government.

“I believe there is some misunderstanding,” Mr. Zhou said, delivering such a lengthy answer that his English-speaking interpreter was unable to keep up. “Of course we will need to report what’s happening and give it our own explanation. I don’t think that’s propaganda.”

He added: “If you find in our reporting mistakes such as saying white is black, then you have the right to criticize us. I think our reporting is really reliable.”

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Advertising: For Fox and NBC, Let the Singing Begin

For one network, Fox, that message came as no surprise. As the current season comes to an end, it is leading again among viewers 18 to 49 years old — the audience that advertisers have considered most desirable — for a seventh consecutive year.

And Fox, part of the News Corporation, played up its hegemony with a presentation that concentrated on big new shows like “Terra Nova,” with a plot that spans millions of years, and big surprises like a coming makeover of the classic animated sitcom “The Flintstones.”

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The power of broadcast was a fascinating message to hear from NBC because that network has been taken over by Comcast, the cable company. Comcast executives were in the audience as the network’s new chairman of entertainment, Bob Greenblatt, pledged to “rebuild NBC.”

“We know that the turnaround may take years,” he cautioned, suggesting that it had already started with “The Voice,” the singing competition that has delivered surprisingly strong ratings since its premiere last month.

“And by the way, thank you, God, for ‘The Voice,’ ” Mr. Greenblatt said. Two judges from the show, Christina Aguilera and Cee Lo Green, closed out the presentation with a musical performance. By one count, “The Voice” was mentioned from the stage of the Hilton Hotel ballroom 21 times.

Lest “The Voice” burn out, NBC executives are saving the show’s second season until January. By so doing, they are also avoiding any competition with “The X Factor,” the singing competition that Fox showed off at its presentation Monday afternoon.

NBC is emulating Fox’s formula of scheduling singing in the fall followed by singing in the spring. For Fox, “The X Factor” will be followed by “American Idol,” and for NBC, “The Voice” will be preceded by a new season this fall of “The Sing-Off.”

As often happens at upfront presentations, clips of the new sitcoms on NBC and Fox played flat, generating few big laughs in the large crowds.

There are, however, high hopes at NBC for a new drama series on Thursday, “Prime Suspect,” which stars Maria Bello.

Mr. Greenblatt said his No. 1 goal for the 2011-12 season would be to “strengthen Thursday nights,” historically the home of NBC’s “Must See TV” lineup.

By far the best-received new NBC series was “Smash,” a drama with singing performances, “Glee”-style, about the creation of a Broadway musical. The show, which featured original songs and a cast headed by Anjelica Huston and Debra Messing, would surely be NBC’s most talked about show this fall — if it were on this fall.

But NBC decided to hold back “Smash” until January, to pair it with the return of “The Voice.” Several NBC executives described that decision as agonizing because “Smash” would have widely been deemed a highlight of the fall season.

The delay won, however, because of the appeal of following “The Voice” on Monday next winter.

Throughout his lengthy presentation, Mr. Greenblatt emphasized a back-to-basics, blocking-and-tackling approach to the prime-time schedule — a clean break from his predecessor. Jeff Zucker, who was the chief executive of NBC Universal until Comcast’s acquisition, was maligned for talking about reinventing broadcasting and saying that NBC was “managing for margin, not for ratings.”

In the eyes of some advertisers and studios that supply programming to NBC, Mr. Zucker’s strategy — perhaps in preparation for a sale of the network — precipitated NBC’s ratings decline and did serious damage to the network’s brand.

Mr. Greenblatt, who was installed by Comcast at NBC after the sale, tried to make clear on Monday that he wanted to undo that damage, real and perceived. At NBC now, he said, there will be “no managing for margins.”

At the Fox presentation, at the Beacon Theater on the Upper West Side, Kevin Reilly, president for entertainment, showed clips from “Terra Nova,” which has Steven Spielberg as an executive producer. It is an ambitious family adventure set in both a prehistoric past, with dinosaurs, and a decaying future.

Fox initially announced “Terra Nova” last May, at its 2010-11 upfront presentation, but delayed the show partly because the special effects have been “time-consuming to create,” Mr. Reilly said.

“Terra Nova” is “the most anticipated new drama” of the fall, he added, putting a positive spin on the delay. The preview clip shown was worth the wait; it showed a family departing Earth circa 2149 and arriving in a lush new world, and ended with — what else? — a dinosaur chase sequence.

The question the TV industry is asking is whether Fox can keep up the drama and the special effects for an entire season.

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Speaking of dinosaurs, Mr. Reilly said that Fox just days ago completed a deal to have Seth MacFarlane, the mastermind of Fox cartoon series like “Family Guy,” re-imagine “The Flintstones,” which ran on ABC from 1960 to 1966 (and beyond in syndication and on cable).

The reworked “Flintstones” will not make its debut until 2013, but Mr. Reilly was happy to announce it. In a video clip, Mr. MacFarlane said he would keep the characters but change the stories.

The upfront week is called that because the networks present their coming schedules before the start of the new season. On Tuesday, there will be presentations from, among others, ABC, part of the Walt Disney Company, and Telemundo, the Spanish-language network under the NBC Universal umbrella.

Stuart Elliott contributed reporting.

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