November 18, 2024

Start: Austin’s ‘Silicon Hills’ Builds on Its Infrastructure

Larry g(EE) at SXSW: Does music attract start-ups?Courtesy of the Austin Chamber of Commerce Larry g(EE) at SXSW: Does music attract start-ups?

Start

The adventure of new ventures.

Several weeks ago we introduced a series that will run in this space, looking at start-up communities nationwide. In our first profile, we take a look at the scene in Austin, Tex., which established itself as a tech hub decades ago.

The city’s high-tech area adopted the name “Silicon Hills” in the 1990s. Since then the start-up infrastructure has expanded to bring along new companies and sustain old ones. Today, Austin is one of the top areas for venture capital investment in the country, garnering $621 million in 2012, according to the Austin Chamber of Commerce. Software and semiconductor firms received about 43 percent of that.

The region’s start-up ecosystem includes several venture capital firms, the Central Texas Angel Network, one of the most active angel networks in the country, groups that foster and encourage entrepreneurship and several well-known incubators. There’s plenty of talent in the area, both recent graduates from the University of Texas and refugees from Austin’s large tech companies, like ATT, I.B.M. and Dell. But it’s also not hard to get talent to relocate. Austin is a Colorado River town, with three lakes within the city’s limits, rolling hills, a relatively low cost of living for a metropolitan area and a great music scene.

“It’s a little hard to draw a line directly from music to the start-up community, but music is a part of the character of the city, part of the brand if you will, and that makes it an attractive place to start a company and easier to recruit talent,” said John Thornton, general partner at AustinVentures, the oldest and largest venture capital firm in the city. Last year Austin’s SXSW Interactive, which highlights emerging technologies as part of the SXSW festival, had a 15 percent increase in attendance over 2011.

Companies starting up in Austin used to build primarily software and silicon chip-related products and that is still largely true. “From a D.N.A. standpoint, Austin is very good at software, specifically enterprise solutions for business,” says Mr. Thornton, whose firm has about 80 active portfolio companies.

Isaac Barchas, director of the Austin Technology Incubator, says there are also a growing number of consumer-oriented Internet companies, like HomeAway and RetailMeNot. “They are creating tools that let the user explore the Internet more effectively,” he says.

Some have criticized the extensive attention that Austin’s tech industry has received when compared to other regions. The online publication PandoDaily, which covers technology start-ups, recently questioned whether Austin could live up to its hype, charging that the city has had just a few stand-out tech exits and that its consumer-focused sector was having a tough time finding success.

Gowalla, the article noted, was a much-touted Foursquare competitor acquired by Facebook in December 2011. That acquisition was largely for the talent — payment was rumored to have been made in Facebook shares — and it was shut down a few months later.

Yet there have been notable successes. Two Austin start-ups had successful initial public offerings recently, with Bazaarvoice raising $114 million in February 2012 and HomeAway’s offering raising $231 million in June 2011.

Austin also has a large and growing gaming industry. It’s is one of the top three cities in the country for game development, said Jennifer Bullard, executive director of Texas Game Lab. This fall, the lab will be starting a new conference for digital media professionals known as the Captivate Conference. The gaming sector is also one of the nation’s oldest, tracing its roots back to 1983 when Origin Systems was founded.

The industry has had its ups and downs in Austin. Many of the city’s game studios are owned by large publishers based outside the area, like Electronic Arts and Zynga. These satellite studios often develop a single game and if that game falters or fails, layoffs happen. Zynga, for example, made significant cuts to its Austin staff in June. Earlier this year, Vigil Games and Junction Point Studios (which was owned by Disney Interactive), were shut down. But Ms. Bullard also noted in an e-mail that independent game studios form regularly, making up for some of those lost jobs.

The Texas Film Commission, which administers the state’s incentive program for the video gaming industry, estimates Austin has more than 100 game studios. Since 2007, video game companies in Austin have received almost $10.3 million through the incentive program.

Various other associations, work spaces, accelerators and incubators have also spurred the growth of technology. Those include the Austin Technology Incubator, part of the University of Texas’ IC2 Institute; Center61; Startup Texas, a regional branch of the Startup America Partnership; Tech Ranch Austin; the Austin Technology Council; and Austin TechLive.

There are at least 15 incubators and accelerators in the city and the Austin Technology Incubator is often cited as one of the strongest in the nation. It admits less than 10 percent of its applicants and is focused on helping start-ups compete in the capital markets. “We get you funded,” Mr. Barchas, the incubator’s director, said. “In 2012, 18 of our 21 companies got funded. And those 18 companies have raised a total of more than $200 million.”

Over the past five years ATI has reviewed about 1,000 companies, said Mr. Barchas, who has seen a growing number of start-ups in the clean energy and biomedical industries.

“Our portfolio is full of companies having a real impact on energy consumption,” he says. An example is Omni Water Solutions, a mobile system for water treatment and reuse. One of the ways it’s used is to purify water from hydraulic fracking, the natural gas drilling technique that has drawn controversy because of the potential for pollution in its process.

Local entrepreneurs praise the exceedingly collaborative and social nature of the tech sector in Austin. “It’s very easy for me to get advice or get people to help make introductions to partners, investors or developers,” says Bart Bohn, a co-founder of AuManil, a start-up focused on big data.

And although Austin is far away from the venture capital offices of Sand Hill Road in Silicon Valley, Mr. Bohn added that financing was never a problem for him.

“There’s a conversation about Austin that it doesn’t generate as many multibillion companies as Silicon Valley does, but it probably generates a lot more successful companies at a lower risk,” he says. “Entrepreneurs here are driven by revenue, that’s the mentality, so there may be less of a total valuation but the companies are successful at smaller valuations.”

You can follow Eilene Zimmerman on Twitter.

Article source: http://boss.blogs.nytimes.com/2013/07/17/austins-silicon-hills-builds-on-its-infrastructure/?partner=rss&emc=rss

You’re the Boss Blog: With This Start-Up, Your Favorite Novel Never Has to End

Valla Vakili: Courtesy of Small Demons. Valla Vakili: “the ultimate place to explore the world of books.”

Start

The adventure of new ventures.

In 2005, Valla Vakili fell in love with a French crime novel. He was so fascinated by “Total Chaos” and its antihero, a hard-drinking detective from the slums of Marseille, that he rerouted a planned vacation through that city, which is France’s second-largest. There he immersed himself in the character’s world.

“I ate some of the same food, drank some of the same wine,” said Mr. Vakili, a former Yahoo executive. “I felt like I was continuing the experience of the book, and it was pretty awesome.”

The adventure drove him to create Small Demons, a literary search engine that appeared online two years ago. Small Demons catalogs and cross-indexes the people, places and things that appear in books, encouraging readers to explore a world Mr. Vakili calls “the storyverse.” Browsing Small Demons, he explained, is like “getting sucked down the literary rabbit hole and finding all these weird connections.” But is that a business?

Co-Founders: Mr. Vakili is the chief executive of Small Demons. He founded the company with a former Yahoo colleague, Tony Amidei, who handles user experience and design.

Employees: Ten full time.

Location: Los Angeles, with two developers in Seattle and a vice president in New York, working with publishing partners and building the community.

Pitch: “When you finish your favorite book, you get to the last page and it’s the worst feeling in the world,” Mr. Vakili said. “There aren’t many ways of rediscovering it open to you. Small Demons is the ultimate place to explore the world of books. This is the place where the book doesn’t end.”

Traction: Small Demons has signed partnership agreements with the publishers Hachette, HarperCollins, Norton, Penguin, Perseus, Random House, Simon Schuster and Sourcebooks. “They have an interest in making books more discoverable online,” Mr. Vakili said of his partners. “They provide us with access to their e-book catalogs. We index it and put it up on the site, then share back the data we tag.”

Small Demons’ database includes more than 10,000 titles. Librarians and booksellers have used it to find books that feature their clients’ obsessions, like Greyhound buses or Paul McCartney. (One reporter couldn’t resist doing a sample search for “Jell-O.” This yielded excerpts from 791 books, from authors like Don DeLillo and Tori Spelling.)

Mr. Vakili would not disclose how many users Small Demons has attracted so far.

Revenue: Negligible. The Small Demons team is still focused on bulking up the site and the database that powers it, Mr. Vakili said. He suggested, though, that it could profit by working like a large discovery engine, telling readers, “If you like this type of media, here’s another type of media that goes with it” — and then making the sale.

Links to outside vendors, including iTunes and Amazon, already appear on the site, encouraging readers to buy the books, films and music that appear in their searches. In the future, Mr. Vakili hopes, Small Demons will attract advertisers, like big-budget Hollywood studios seeking fans of the books they are adapting to film.

Financing: Small Demons has raised $3.2 million in angel and seed financing. Investors include Chamath Palihapitiya, the founder of the Social Capital Partnership, and Dave Goldberg, chief executive of SurveyMonkey, along with CampVentures and  Yuri Milner‘s Start Fund.

Marketing: Small Demons has been promoting itself at industry trade shows, like the Frankfurt Book Fair and Book Expo America. Otherwise, the marketing strategy is mostly word of mouth and social media, trying to get people and institutions – including its publishing partners – to refer to it on Twitter and Facebook. “It’s a lot of influencer messaging and marketing,” Mr. Vakili said. “Users are helping make it viral. People want to show how the content they like reveals who they are.”

Competition: Google Books and Amazon’s Search Inside the Book feature let readers hunt for specific mentions of people, places and objects, but neither service connects all those elements for exploratory browsing.

Challenge: “For any start-up, until you hit that point where you’re firing on all cylinders, there’s always more you’d like to do than you can do,” Mr. Vakili said. “Right now, it’s all about feeling sure we’re making the right trade-offs, focusing on the right opportunities and developing them as quickly as possible.”

Small Demons also comes up against digital-age skepticism about books. “There is at times a perception that reading is on the decline,” he said. “It’s just unfortunate at times. You’ll see a lot more video and music start-ups.”

What do you think?

You can follow Jessica Bruder on Twitter.

Article source: http://boss.blogs.nytimes.com/2013/02/07/with-this-start-up-your-favorite-novel-never-has-to-end/?partner=rss&emc=rss

Start: An ‘Unsexy’ Start-Up Tries to Fill Movie Seats

From left: Kevin Hong and Sean Wycliffe, co-founders, aong with Renny Bestari, a former intern, and Evan Pham, business development manager.Courtesy of Dealflicks From left: Kevin Hong and Sean Wycliffe, co-founders, aong with Renny Bestari, a former intern, and Evan Pham, business development manager.

Start

The adventure of new ventures.

Sean Wycliffe knew “The King’s Speech” had gotten rave reviews. So when he arrived at the theater about two years ago, he was surprised by what he saw. “It was a great movie, but the place was just empty,” he said. “It had 230 or 240 seats, but there was me and a couple and that was it.”

Mr. Wycliffe had just completed his bachelor’s degree in economics at the University of California, Berkeley. Midway through, he’d taken time off to start a small marketing firm with his brother. Now he hankered to build something new.

He found himself thinking about Hotwire and Priceline, the discount sites he’d used for several years to book hotel rooms that would otherwise go unoccupied. “What if we could partner with theaters and help them fill their seats in the same way?” he wondered. Moviegoers would pay for discounted tickets, specifying the film, the approximate time of day and the neighborhood. After completing a purchase, they would learn the exact showtime and theater.

Mr. Wycliffe incorporated Dealflicks last year. He started working full-time on the project in January along with two co-founders and they introduced a beta site in July.

Co-Founders: Mr. Wycliffe, 29, is the chief executive officer. Kevin Hong, 27, is the vice president of sales, and Zachary Cancio, 25, the chief technology officer.

Employees: Dealflicks has one full-time employee, a business development manager who started out as the company’s summer intern. Two more – a designer and a software engineer – are expected to come onboard soon.

Location: Dealflicks moved in October from Mr. Wycliffe’s Oakland apartment to Mountain View, Calif.

Pitch: “Dealflicks is like Priceline.com or Hotwire.com, but for movie theaters,” Mr. Wycliffe said. “Right now about 88 percent of seats are empty on average. We partner with movie theaters and help them do marketing to fill these empty seats. Our deals are usually tickets – or tickets and popcorn, tickets and soda, that kind of thing – at up to 60 percent off.” From that discounted price, Dealflicks typically takes a 10-percent cut, though agreements vary by individual partners.

Traction: Dealflicks has contracted with 62 movie theaters so far. First to sign on was the Gardena Cinema in Los Angeles County. Mr. Hong wooed its Korean owners by bringing them his mother’s homemade pajun scallion pancakes.

While trying to build a primary base of theaters in the Bay Area, Dealflicks has also inked deals with partners in Arizona, Georgia, Massachusetts, New York, Ohio, Texas, Washington and Wisconsin.

This fall, Dealflicks won a slot in the accelerator run by 500 Startups, a seed fund and program for early-stage ventures created by Dave McClure, a former PayPal executive. The relationship developed after Mr. Wycliffe and his co-founders attended Unsexy, a conference for companies that are promising but unlikely to set pulses racing in Silicon Valley. At the conference, they talked to every 500 Startups alumni they could find.

“Then when walking out of an auditorium, we literally stumbled upon some dude coding on the floor. That dude turned out to be the C.T.O. of LivingSocial, Aaron Batalion,” Mr. Cancio wrote on his blog. “But neither Sean nor I realized who he was at the time. Like a scout, I surreptitiously looked at his name badge. I muttered a quiet suggestion to Sean and before I knew it, Sean marched up to Aaron and introduced himself.” That chance meeting wasn’t all it took to get into the accelerator — but it helped.

Revenue: So far, Dealflicks has sold a couple of hundred tickets, according to Mr. Wycliffe, who said total revenue has not yet passed the single-digit thousands. “But the growth is there,” he said. “This month, we’ve sold more than in the previous three months combined.” The company issued its first paychecks on Nov. 15.

Financing: Dealflicks has raised $115,000. Friends and family put in about $65,000. The remaining $50,000 came from 500 Startups. The company is seeking $250,000 in angel investments.

Marketing: The company holds parties at college campuses to get the word out. (“Dealflicks just hooked us up with a keg!!!” one Berkley student announced on the company’s Facebook page.) It also focused on search engine optimization, working to rank high in Google searches when users hunt for ticket deals. They’ve partnered with several larger sites that take a commission for driving sales their way. And they’ve also scored appearances on a couple of Bay Area television news affiliates.

Competition: Movietickets.com and Fandango are the Goliaths of the online ticketing space. “They’re great but they’re different than what we do because they only sell full-price tickets, and they charge a convenience fee as well,” Mr. Wycliffe said. Entrants in the discount space are more of a wild card; five or six of them have come and gone in the last couple of years, he said. One contender, MoviePass, offers unlimited theater trips for a monthly fee. (In a sector that loves analogies, it aims to be the “Netflix of movie theaters.”)

Being “unsexy,” Mr. Wycliffe believes, “is kind of good in a way, because in Silicon Valley, everyone’s focused on that next, next thing. They’re looking at video on-demand and social networks. Most are not focused on the movie theater industry.”

Challenge: Can Dealflicks convince a critical mass of cinemaphiles to trade their ability to pick an exact time and theater for a cheaper ticket? Building the customer base is essential to attracting more theaters that, in turn, could attract more customers.

“Eventually, we’ll need to partner with some of the top chains to grow the business,” Mr. Wycliffe said. “For now, it’s about getting to the point where we have more and more theaters, and we’re filling up all of these empty seats.”

You can follow Jessica Bruder on Twitter.

Article source: http://boss.blogs.nytimes.com/2012/11/28/an-unsexy-company-tries-to-fill-movie-seats/?partner=rss&emc=rss