November 13, 2024

Disney, NBCUniversal and Paramount Plan Bold Studio Expansions

Years into a slump in the local production of movies and television shows, several of the largest California-based studios are laying plans to build sound stages, postproduction facilities and offices in what might become the most aggressive growth spurt in recent Hollywood memory.

Disney, NBCUniversal and Paramount all have large, long-term expansion plans on the books. The construction would follow recent face-lifts and incremental growth on and near the lots owned by the three other major studios — Fox, Sony Pictures Entertainment and Warner Brothers.

The resulting transformation would seem to put a glow of health on an industry that was bruised by a writers strike in 2007, then battered by recession, piracy and digital competition — yet remains optimistic about filmed entertainment and its production in and around Los Angeles.

Some observers are puzzled.

“It doesn’t make sense,” said Peter Guber, chief executive of Mandalay Entertainment Group, a sports and entertainment company. He spoke by telephone as he drove to the set of his latest film, “The Voices,” a horror story filmed in Berlin.

After becoming chairman of Sony Pictures in 1989, Mr. Guber ordered a top-to-bottom overhaul of the studio’s Culver City lot. More recently, though, he looked at an opportunity to buy a midsize lot here, but backed away. “It doesn’t appear there will be that much more production,” Mr. Guber said of the near-term prospects.

One closely watched barometer illustrates the trend: the number of location shooting days in Los Angeles County has remained below peaks achieved in 2006 and 2007, according to state and local officials. “We’re still seeing TV shows and films leave,” said Amy Lemisch, the executive director of the California Film Commission.

Still, last month the Los Angeles Business Journal noted that Disney, NBCUniversal and Paramount were planning three of the largest commercial developments in Los Angeles County, with a combined cost in the billions of dollars, serving as the blueprint for substantial growth in movie and television facilities at all three.

Each of the projects follows a logic of its own, but they all reflect Hollywood’s determination to remain a force here by planning enough physical expansion to contain operations well into the future.

“Being in control of your destiny is better than being at the mercy of others,” said Christine M. McCarthy, Disney’s executive vice president for corporate real estate, sourcing and alliances, and the company’s treasurer.

At its Grand Central Creative Campus in Glendale, Disney has authorization through 2032 to build up to 3.2 million additional square feet in a 125-acre, light industrial compound. The campus already houses its interactive division and other operations on ground that once housed a local airstrip.

Growth in Glendale would most likely exclude movie and television operations, according to people briefed on the company’s approach, who spoke on condition of anonymity because of uncertainty about exact plans.

If approvals are granted, Disney is hoping to build as many as 12 soundstages on its 890-acre Golden Oak ranch about 20 miles to the northwest. That would almost double the number of stages Disney currently owns on its lot in Burbank, and a nearby television-oriented facility — an expansion that might allow Disney to reduce space it now rents from others.

At Paramount, a $700 million expansion on the studio’s Hollywood district lot will occur over 25 years, assuming the plan survives a review process whose next hurdle is the release of an environmental impact report.

Part of the challenge is to integrate operations on an 87-year-old lot that was acquired in pieces, beginning with two adjoining properties, one belonging to Paramount, the other to RKO Pictures (and, later, Desilu Productions), while increasing office and production space.

Article source: http://www.nytimes.com/2013/05/20/business/media/disney-nbcuniversal-and-paramount-plan-bold-studio-expansions.html?partner=rss&emc=rss

NBC News Said to Pick A Woman As Its Chief

NBC News is on the verge of naming Deborah Turness, the head of ITV News in Britain, as its next president, according to several people with knowledge of the appointment.

Ms. Turness, if appointed, would be the first woman to become president of a network television news division in the United States, succeeding Steve Capus, who stepped down from the position in February after nearly eight years.

A spokeswoman for NBC News, a unit of Comcast’s NBCUniversal, declined to comment. In an e-mail message on Friday, Ms. Turness said she could not respond to what she called speculation.

But others with knowledge of the appointment said that her promotion could be announced as early as Monday.

Ms. Turness’s name surfaced last month in a Los Angeles Times article that identified her as a candidate. Though she is not widely known in the television news industry in the United States, Ms. Turness has strong credentials. She has worked at ITN, a British producer of television news, for 25 years. ITN provides three daily newscasts to ITV, a broadcaster that is one of the BBC’s main rivals in Britain, under the banner of ITV News. Ms. Turness has overseen those newscasts as the editor of ITV News since 2004.

When asked about Ms. Turness’s future, a spokeswoman for ITV News said, “We don’t comment on speculation.”

Mr. Capus’s departure was spurred partly by his frustration with a new management structure set up in July, which folded NBC News and two cable news channels, MSNBC and CNBC, into a new unit called the NBCUniversal News Group. The group is led by Pat Fili-Krushel, and Ms. Turness would report to her, according to the people with knowledge of the appointment.

The next president of NBC News will face an array of challenges. NBC has the highest-rated evening newscast (“NBC Nightly News”) and a big source of revenue (the cable news channel MSNBC) that its rivals envy. But it also has a morning show, “Today,” that has sunk to second place behind ABC’s “Good Morning America,” resulting in the loss of tens of millions of dollars in advertising revenue.

More broadly, NBC News faces the same ratings difficulties as other television networks, as well as fresh competition on the Internet.

Ms. Turness is used to competition, given that the BBC usually could outnumber and outspend her at ITV News. She is described by colleagues there as ferociously energetic and savvy about what viewers want to see.

In a 2010 profile in the British newspaper The Guardian, she was quoted as saying: “The battleground now is in news, it’s about quality. News is the best drama on television because it’s real.”

“She was here for at least one presidential election cycle,” said Simon Marks, who worked at ITN in the late 1980s and knew Ms. Turness in Washington in the 1990s. “I think she’ll be a fantastic breath of fresh air in the elite world of network news in New York.”

Article source: http://www.nytimes.com/2013/05/11/business/media/nbc-to-name-new-head-of-news-division.html?partner=rss&emc=rss

NBC Is Said to Offer Lauer’s Job to Cooper

Mr. Cooper may have told NBC he was not interested. Nonetheless, the entreaty indicates that NBC executives are actively talking about a succession plan for Mr. Lauer, whose future on “Today” has been the source of widespread speculation in recent months. Mr. Lauer, a star of the “Today” show for the better part of two decades, signed a contract last year — believed to pay him $25 million a year — that keeps him at the network at least through the end of 2014.

But the recent outreach to Mr. Cooper, described by people on condition of anonymity, suggests that NBC might remove Mr. Lauer from his co-host chair before then, or that Mr. Lauer might ask to be replaced.

The call from NBC was first reported Tuesday night by Deadline.com. It was so surprising that some television industry executives thought the story was untrue, chalking it up to troublemaking by agents or rival networks. But three people with knowledge of the call confirmed that it happened, and said they too were taken aback by it. The people insisted on anonymity because the call was considered confidential.

It is unclear who at NBC made the call to Mr. Cooper. The news division does not currently have a president. Patricia Fili-Krushel, the chairwoman of the NBCUniversal News Group, who oversees the news division, previously worked at Time Warner, the parent of CNN, for nearly a decade.

An NBC News spokeswoman declined to comment about the circumstances of the call or about Deadline.com’s report that Mr. Lauer later called Mr. Cooper to “express his disapproval.” A news division executive, who discussed the matter on condition of anonymity, confirmed in an e-mail that “NBC News has many exploratory talks with talent inside and outside of the network, but to read anything specific into that is presumptuous.” The same person also said, “We are confident in our anchor team and are focused on producing great morning TV.”

After 16 years as the No. 1 morning show, “Today” slipped behind ABC’s “Good Morning America” last year. While NBC News executives say they have resisted leaning toward the lighter fare and tabloid style of their rival, the “Today” show itself risks becoming tabloid fodder. In the wake of the Deadline.com report, TMZ.com said its sources had said that “Lauer is actually on board with the idea of Anderson replacing him,” and that “he actually planned to have a meeting with Anderson to sit down and discuss it.”

Mr. Cooper’s contract at CNN expires this fall. In some ways he’s a logical choice for “Today”; he is in his mid-40s and he has demonstrated that he can juggle hard news interviews with the fun and games that morning TV shows serve up. His presence on “Today” might spur former viewers to give the show another chance. “Today” has fallen about 20 percent in the ratings since Ann Curry was removed from the co-host chair next to Mr. Lauer last summer.

On the other hand, co-hosting “Today” would be a drastic lifestyle change for Mr. Cooper, who is “not a morning person,” in the words of one friend, and is used to hosting a prime-time newscast. “Anderson Cooper 360,” his nightly hour on CNN, is shown live at 8 p.m. and is replayed at 10 p.m. While “360” is one of CNN’s highest-rated programs, it has struggled in the ratings; it currently attracts fewer than one million viewers at 8 p.m.

Furthermore, Mr. Cooper’s shot at a daytime talk show in the fall of 2011 has been viewed as a disappointment; it was renewed for a second season, but was canceled last October, only one month into the second season. Episodes of the talk show will continue to be televised for a few more months.

Article source: http://www.nytimes.com/2013/03/28/business/media/nbc-is-said-to-offer-lauers-job-to-cooper.html?partner=rss&emc=rss

Media Decoder Blog: Fandango Movie Ticket Service Introduces Site Aimed at Hispanics

Hispanics buy a quarter of all movie tickets sold in the United States. But do they need their own place to buy them?

Fandango Cine, a collaboration with Telemundo. Fandango Cine, a collaboration with Telemundo.

On Monday, NBCUniversal will find out. The media company’s movie ticket service, Fandango, in partnership with the Spanish-language broadcaster Telemundo, will introduce Fandango Cine, a digital movie ticket service aimed at Latinos. The Web site and related app will operate separately from Fandango and will highlight movies, actors and original video clips meant to resonate with Hispanics.

The collaboration comes as box-office data points to Hispanics as a major moviegoing force, even as the industry over all has struggled. Hispanic moviegoers bought 286 million movie tickets in 2011, and they go to an average of seven movies a year, compared with five a year for non-Hispanics, according to the Motion Picture Association of America.

At the same time, Hispanics are 68 percent more likely than non-Hispanics to watch video on the Internet, according to Nielsen. Fandango had an average of 41 million unique visitors a month in 2012, a record for the service, which charges users a fee to buy movie tickets in advance.

“We recognized from the data that there’s a unique audience in Hispanics in their affinity for moviegoing and mobile technology,” said Paul Yanover, president of Fandango. “That’s a pretty important audience segment we thought we could better service.”

In addition to movie ticket sales, Fandango Cine will include a feature highlighting Hispanic actors and directors under the heading “Overlooked by Oscar.” A segment called “Cine Buzz” will provide celebrity scoops on Latinos in Hollywood.

The Spanish-language Web site will also highlight movies — like “Snitch,” starring Benjamin Bratt as a Mexican drug lord, and “Bless Me, Ultima,” based on the novel by Rudolfo Anaya — that won’t get prominent play on English-language Fandango but are expected to attract heavily Hispanic audiences.

Ever since Comcast took control of NBCUniversal two years ago, the media conglomerate has encouraged partnerships among its previously disparate divisions. Telemundo will provide video clips to Fandango Cine, which will prominently promote Universal Pictures’s “Fast Furious 6.” A Spanish-speaking Fandango Cine movie critic will have a regular segment on Telemundo’s morning show “Un Nuevo Día.”

The partnership grew in part out of Telemundo’s inroads with Hollywood studios. For years, the network received quizzical glances from movie executives who were asked to advertise their English-language films during Telemundo’s lineup of Spanish-language sports, telenovelas and talk shows.

“Today, every single movie is Hispanic focused,” said Peter E. Blacker, executive vice president for digital and emerging media at Telemundo. “That’s a big change from when I used to go around to studios and they didn’t understand the potential.”

A version of this article appeared in print on 02/25/2013, on page B5 of the NewYork edition with the headline: Fandango Adds Service Aimed at Hispanics.

Article source: http://mediadecoder.blogs.nytimes.com/2013/02/25/fandango-adds-service-aimed-at-hispanics/?partner=rss&emc=rss

Media Decoder Blog: Capus, Head of NBC News, Is Departing

4:00 p.m. | Updated Steve Capus, the president of NBC News for almost eight years, said Friday that he was leaving the network news division in the coming weeks.

“It has been a privilege to have spent two decades here, but it is now time to head in a new direction,” Mr. Capus wrote in an internal memo on Friday afternoon. “I have informed Pat Fili-Krushel that I will be leaving NBC News in the coming weeks.”

Mr. Capus’s exit has been rumored at the network ever since Comcast put Ms. Fili-Krushel in charge of all of NBC’s news assets six months ago.

Mr. Capus is the longest-serving president of any of the three network news divisions, having guided NBC through a revolutionary time in news-gathering and distribution. He maintained the news division’s profitability, managed tensions between NBC News and its increasingly liberal cable channel MSNBC, and fostered new business ventures like an in-house production company and an annual education summit. Last year he unwound an old deal with Microsoft to give the news division complete control over its Web site, now named NBCNews.com, for the first time.

But a restructuring six months ago foreshadowed Friday’s announcement. Steve Burke, the chief executive of NBCUniversal, consolidated all of NBC’s news units — NBC News, MSNBC and the business news channel CNBC — under a new umbrella, the NBCUniversal News Group, and he named one of his most trusted lieutenants, Ms. Fili-Krushel, to run it. Mr. Capus, who previously reported directly to Mr. Burke, now reported to Ms. Fili-Krushel.

Mr. Capus made no secret of his unhappiness with the restructuring. His contract had a clause that allowed him to leave in the event that he no longer reported to Mr. Burke, according to two people with direct knowledge of the arrangement at NBC. He decided to exercise that right after months of contemplation, according to the people, who insisted on anonymity because they were not authorized by the network to speak publicly.

Mr. Capus told Ms. Fili-Krushel of his intent to leave last Friday. He probably would have left sooner, but a series of major news stories kept him busy late last year — including Hurricane Sandy, the presidential election and the school shooting in Newtown, Conn. Mr. Capus also oversaw the network’s response to the kidnapping of Richard Engel and an NBC News crew in Syria last month.

Ms. Fili-Krushel said in an e-mail to staff members that she will appoint a new NBC News president at some point. But for now, most of the senior executives who worked for Mr. Capus will report directly to her.

Notably, the executive recently put in charge of the “Today” show and “Rock Center with Brian Williams,” Alex Wallace, will now also have executive oversight of “NBC Nightly News.”

Ms. Fili-Krushel wrote in her e-mail that “NBC News is America’s leading source of television news and Steve has been a big part of that success.”

NBC News is indeed the producer of the most popular evening newscast in the country. But its single biggest source of profits, the morning show “Today,” fell to second place last year, behind ABC’s “Good Morning America,” for the first time since the 1990s. The decline caused widespread anxiety inside the news division and speculation that Mr. Capus would be relieved of his duties.

The executive producer of “Today,” Jim Bell, was replaced last fall. He is now the executive producer for NBC Olympics.

Inside NBC, both Mr. Capus and Mr. Bell received a share of the blame for the botched removal of Ann Curry from “Today” last June, which worsened the show’s already tenuous position in the ratings. Savannah Guthrie is now the co-host of “Today,” and Ms. Curry is a national and international correspondent for the network, but is rarely seen.

In his e-mail to staff members on Friday Mr. Capus called it an “extremely difficult decision to walk away,” noting that he started at NBC as a producer 20 years ago this month. He did not make any mention of what he would do next.

“Journalism is, indeed, a noble calling, and I have much I hope to accomplish in the next phase of my career,” he wrote in his email message.

The heads of the news divisions at ABC and CBS have each been in their respective jobs for about two years. They, like the heads of CNN and the Fox News Channel, are men, making Ms. Fili-Krushel the highest-ranking woman in the television news industry.

Ms. Fili-Krushel, who previously served as an executive vice president for Mr. Burke, has kept a low public profile since being appointed the head of the NBCUniversal News Group last July. But she has been a forceful presence behind the scenes, moving from her office on the 51st floor of 30 Rockefeller Center to a new one on the third floor, where NBC News is based. She and Mr. Capus both interviewed candidates for Mr. Bell’s job last fall, and eventually settled on a two-tier structure, with Ms. Wallace overseeing the program and Don Nash producing it day-to-day.

“Today” continues to lose to ABC’s “Good Morning America” among total viewers, but lately it has won a few weeks in the 25- to 54-year-old demographic that advertisers covet. “NBC Nightly News” has more successfully fended off ABC’s “World News,” despite an aggressive push by ABC.

Keeping the news division profitable in an age of diminishing network ratings may be Mr. Capus’s single greatest contribution. While NBC News has suffered from staff cuts like the rest of the company, it has maintained most of its journalistic muscle and has invested in NBCNews.com, Today.com and its other Web sites.

“I have tried to shield our journalists from the tough economic pressures hoping that would give each of you the running room to focus solely on a commitment to outstanding journalism,” Mr. Capus wrote in his email, adding that “NBC News has grown in all key metrics — from ratings and reputation to profitability.”

Article source: http://mediadecoder.blogs.nytimes.com/2013/02/01/capus-head-of-nbc-news-is-departing/?partner=rss&emc=rss

Telemundo Seeks Spanglish Speakers, Aiming for New Viewers

The new approach, reflecting the changing dynamics of Hispanics across the country, can be seen in the network debut of the Cuban-born television personality Cristina Saralegui as the host of a Sunday variety show, and in a crop of new telenovelas intended to reflect the sensibilities of acculturated Hispanics.

In each case, the programs will feature a sprinkling of English and be available with English subtitles — something not as readily found on the competing Univision.

As Telemundo’s president, Emilio Romano, put it after joining the network in October, his goal is to “focus on a more acculturated, more bilingual” audience, without alienating the core Spanish-dominant viewers.

“If you think about Telemundo as a narrower broadcast network, you quickly get to the place where, like all broadcast networks, your mandate must be to go for the widest possible audience,” said Lauren Zalaznick, the chairwoman of entertainment and digital networks and integrated media for Telemundo’s parent company, NBCUniversal.

Bilingual Hispanics, defined as speaking English more than Spanish or Spanish and English equally, are 82 percent of the United States Hispanic population, according to a report released this year by Scarborough Research, a consumer research firm.

This group has more disposable income than the more Spanish-speaking recent immigrants, with 12 percent of acculturated Hispanic families earning $75,000 to $100,000 a year, the study said.

Telemundo’s efforts to capture viewers in that category speaks to a larger goal within NBCUniversal under the new ownership of the nation’s largest cable provider, Comcast Corp.

As a cable and broadband provider, Comcast foresees Hispanics driving growth in new cable subscriptions, an otherwise mostly flat business. The 2010 Census results showed more than half the total population growth in the United States from 2000 to 2010 was because of the increase in the Hispanic population. In 2010, Hispanics accounted for 50.5 million people residing in the United States, up from 35.3 million a decade ago.

The change in demographics has been noted by advertisers, who have flocked to Spanish television in growing numbers. In the 2011-12 season, advanced advertising sales at Telemundo spiked 25 percent from the previous year to more than $400 million, and the price that advertisers pay per 1,000 viewers doubled, according NBCUniversal.

Advertisers also may be attracted by the fact that Hispanics watch more TV as a family, with Spanish-speaking grandparents often gathered around the TV with their predominantly English-speaking grandchildren, according to the Association of Hispanic Advertising Agencies. Shows that incorporate both languages and cultures can hook multiple generations.

“You may have a home full of generations with different perspectives,” said Roberto Orci, chief executive of Acento, a Los Angeles-based advertising agency aimed at Hispanics.

Telemundo hopes to capitalize on that with Ms. Saralegui, who came to the network after more than two decades as Univision’s daytime queen. Known as “Oprah Winfrey with salsa,” her mix of saucy, Spanglish celebrity interviews and girl talk is seen as central to Telemundo’s plans.

The platinum blonde’s “Pa’lante con Cristina” made its debut on Oct. 9, and attracted 1.2 million viewers, according to Nielsen. Univision’s Sunday-night “¡Mira Quién Baila!” — a Spanish-language take on “Dancing With the Stars” also available with English closed-captions — averages 3.9 million viewers. On an average night, Univision has 3.8 million viewers compared with one million for Telemundo.

Article source: http://feeds.nytimes.com/click.phdo?i=ae32c9ace4902f39ccda73b3e0565ce2