November 22, 2024

South Korea Seeks Journalist’s Arrest in Defamation Case

In the indictment, a copy of which was made available on Sunday, the prosecutors said the journalist, Choo Chin-woo, had written articles and made a podcast that “defamed” and “spread false information” about the brother of the governing party’s candidate, Park Geun-hye, with “an aim of blocking her election.”

Ms. Park won the election by a narrow margin and was inaugurated in February. Her office did not immediately respond to a request for comment.

The previous government also pursued criminal indictments of television producers and bloggers on charges of defaming political figures and disseminating false information — a practice that international human rights groups have denounced for creating a chilling effect among government critics.

“My crime was raising questions those in power don’t like,” Mr. Choo, 39, said in a recent interview. “They hate me like a cockroach and want to squash me.” A court is scheduled to decide on Tuesday whether to allow his arrest.

Mr. Choo skyrocketed to national fame as a co-host of the satirical political podcast “Naneun Ggomsuda,” or “I Am a Petty-Minded Creep.” The name invokes a derisive nickname for the prior president, Lee Myun-bak. Started in 2011, the show raised allegations of wrongdoing against some of the country’s religious, economic and political leaders. It became one of the world’s most downloaded political podcasts from Apple’s iTunes store, avidly followed by South Koreans who had lost trust in mainstream news media, much as young Americans embraced “The Daily Show With Jon Stewart.”

The show was suspended after the December election, and prosecutors accused another co-host, Kim Ou-joon, of staying abroad to avoid an investigation on charges similar to what Mr. Choo faced.

Mr. Choo works for a leading newsweekly SisaIN. In his articles and podcast ahead of the December election, he revisited a little-known 2011 case in which a son of a cousin of Ms. Park’s was found dead in a mountain park in Seoul, the nation’s capital. Another cousin of Ms. Park’s was found hanging from a tree. The police concluded that he had killed the first man and then committed suicide.

In his reports, Mr. Choo cited a legal dispute between Ms. Park’s brother, Park Ji-man, and his brother-in-law revolving around the brother-in-law’s accusations that Mr. Park had plotted to kill him and had hired as a hit man the Park relative found dead. (The brother-in-law, the husband of the Parks’ estranged younger sister, lost the case and served time in prison for slandering Mr. Park.)

Mr. Choo’s reports raised questions about the police investigation and cited the suspicion raised by the brother-in-law and his lawyer that the killing in the mountain park might have had something to do with a plot to block the victim from testifying for them. They also raised the possibility that the man who the police said hanged himself might have been killed.

Mr. Park sued Mr. Choo in December on charges of spreading false rumors to influence the presidential election. That set off the investigation by the prosecutors.

International free-speech advocates — including Reporters Without Borders and Frank La Rue, the special rapporteur on the freedom of opinion and expression for the United Nations — have voiced concerns about a lack of tolerance for dissent in South Korea, where defamation is a criminal offense.

Lee Jae-jeong, Mr. Choo’s lawyer, said of the possibility of his client’s arrest, “I don’t think this kind of thing can happen except in a backward country ruled by an authoritarian government bent on stifling freedom of expression.”

Park Kyung-sin, a professor of law at Korea University here, said filing a criminal indictment against people accused of defaming public figures with false rumors and then trying to arrest and hold them before any trial went against “international human rights standards.”

Such prosecutions, Professor Park said, hamper the role of the news media as a public watchdog, particularly since defendants accused of defamation are required to prove that their allegations are true.

Many conservative South Koreans accuse the co-hosts of “I Am a Petty-Minded Creep” of using the mantle of satire to broadcast irresponsible statements, commit character assassination and promote political cronyism.

But at times, the show has sniffed out major news. It was among the first outlets to discuss suspicions that the country’s intelligence agency was involved in a secret online campaign to try to discredit opposition candidates in the December election.

Last month, the police announced that at least two government intelligence agents had been involved in such an operation. Prosecutors have since expanded the investigation, raiding the headquarters of the spy agency.

Article source: http://www.nytimes.com/2013/05/13/world/asia/south-korea-seeks-arrest-of-podcaster-choo-chin-woo.html?partner=rss&emc=rss

Comedy Central to Host Comedy Festival on Twitter

But there will be no smoky comedy clubs. No lone microphones and stools positioned on stage. No two-drink minimum.

The festival will take place almost entirely on Twitter, with comedians posting video snippets of routines and roundtables and posting jokes using the hashtag #ComedyFest.

The partnership between Comedy Central, a cable cannel owned by Viacom, and Twitter represents the evolving relationship between television and social media. Twitter is often incorporated into programming with viewers using the site as a second screen while watching live television. But slowly, Twitter is becoming an outlet on which to watch video.

In January, Twitter introduced Vine, a video-sharing service that lets users post six-second clips — brevity that matches Twitter’s model of 140-character messages.

On Tuesday, as part of the festival, the comedian Steve Agee will host a “Vine Dining” party, telling stories in six-second videos. The cast of HBO’s “Veep” shares “vines” from the set, as does the cast of ABC’s hit “Scandal.” AE puts 30-second videos of “Duck Dynasty” on Twitter and the entire third season of Fox’s “Raising Hope” had its debut on the site.

“It’s not just hashtags appearing on your TV screen, but TV content appearing in your Twitter feed,” said Debra Aho Williamson, a social media analyst at eMarketer.

For Comedy Central, the Twitter partnership is a small part of a larger strategy to become a branded entertainment company that does not rely just on nightly television viewing. In a changing media landscape, the channel’s series like “The Daily Show With Jon Stewart,” and “South Park,” and their young, mostly male audiences have led the shift to online video viewing.

As early as next month, Comedy Central will introduce a free, ad-supported app, called CC: Stand-Up. Designed to look and feel like a cable channel devoted to stand-up, the app will offer videos of comedians performing routines.

A recommendation algorithm (similar to the one used by Amazon) will allow users to discover new comedians. If you watched Jeff Ross, for example, a web of other comics would pop up based on routines with similar topics (like mass transit), style (like dark humor) or other relationships (both like marshmallows).

“One of these days we will be ambivalent about where people watch Comedy Central,” said Steve Grimes, the channel’s senior vice president for programming and multiplatform strategy.

At least for now Viacom makes the vast majority of its revenue from cable subscribers who watch television the old-fashioned way and the advertisers who pay to reach them there. The company must adapt to the changing ways viewers watch video, but they must also preserve profits.

Last year, Nickelodeon’s ratings dropped, partly because shows like “Dora the Explorer” and “SpongeBob SquarePants” had been too readily available on streaming platforms like Netflix.

Nickelodeon’s predicament has served as a cautionary tale for Comedy Central as it extends its programming onto other devices. Comedy Central’s total prime-time audience has fallen to a nightly average of 816,000 viewers in the current season to date, from 1.1 million in 2008, according to Nielsen.

Of those viewers, 258,000 are men ages 18 to 34, a demographic that disproportionately uses social media while watching television. In a study conducted by Nielsen in September and titled “How Chatter Matters in TV Viewing,” 54 percent of 18- to 34-year-olds said they had started watching a TV show because of Facebook, and 21 percent credited Twitter.

Fred Graver, head of TV at Twitter, said partnering with Comedy Central and others was not about turning the service into a television distribution platform, but developing deeper relationships with programmers that eventually lead to more people joining Twitter. The relationship, he said, can be mutually beneficial.

Article source: http://www.nytimes.com/2013/04/22/business/comedy-central-to-host-comedy-festival-on-twitter.html?partner=rss&emc=rss

Moving Online, Beck Will Charge Viewers a Fee

On Tuesday, Mr. Beck will announce a first-of-its-kind effort to take a popular — but also fiercely polarizing — television show and turn it into its own subscription enterprise. It is an adaptation of the business models of both HBO and Netflix for one man’s personal brand — and a huge risk, as he and his staff members acknowledged in interviews in recent days.

“I think we might be a little early,” Mr. Beck said of his plan for the Internet network, called GBTV, which will cost $5 to $10. “But I’d rather be ahead of the pack than part of it.”

The business decision by Mr. Beck’s company, Mercury Radio Arts, hinges on an expectation that more and more people will figure out how to view online shows on their TV sets through set-top boxes and video game consoles — and that they will subscribe directly to their favorite brands.

Eventually, Mr. Beck said, his goal is to have an array of scripted and unscripted shows alongside his own daily show, which will simply be titled “Glenn Beck” and will run for two hours on weekday afternoons.

“If you’re a fan of Jon Stewart, you’re going to find something on GBTV that you’re going to enjoy,” Mr. Beck said. “If you’re a fan of ‘24,’ you’re going to find something on GBTV that you’re going to enjoy.”

What GBTV will not be, he and his associates emphasized, is a news channel.

Mr. Beck is leaving the Fox News Channel, a unit of the News Corporation, on June 30 after two and a half years of regular clashes with management. One Fox executive, Joel Cheatwood, is moving with him to GBTV; Mr. Cheatwood, who started at Mercury in April, will be the Internet network’s president for programming.

Mr. Cheatwood said he was attracted by the chance to pioneer “a different platform of media.” The Web, he said, “really is where the growth exists.”

GBTV will be accessible starting Tuesday when Mr. Beck talks about it on his three-hour radio show (which he will keep doing). One of its first features will be a behind-the-scenes show about the making of the network, somewhat akin to the behind-the-scenes show on Oprah Winfrey’s cable channel about the final season of her syndicated talk show.

Then, on Sept. 12, “Glenn Beck” will begin. The two-hour show will be scheduled for 5 p.m. Eastern time, the same time as Mr. Beck’s current show on Fox, putting him in direct competition with whoever replaces him at the cable news channel. But because it will stream only over the Internet, and not be shown on television, it is not a violation of his exit agreement with Fox. And Mr. Beck’s representatives note that the show will be available on-demand on the Internet, further reducing the competitive element.

The on-demand nature of an Internet network was one of the appeals to Mr. Beck and the president of Mercury, Chris Balfe.

Also appealing, Mr. Balfe said, was not having to worry about whether the shows that lead into and out of Mr. Beck’s show have “exactly the same sort of tone.” (That was perceived to be a problem at Fox, since Mr. Beck’s conservative sermons and speeches at 5 p.m. were followed by a straightforward political newscast at 6 p.m.)

The lead-in and lead-outs do not matter, Mr. Balfe said, because “we’re not trying to keep viewers, we’re trying to please subscribers.”

Mr. Beck pointed out another potential advantage: “It’s my network, so if I want the show to run 2 hours and 15 minutes one night, it will.”

Fox has declined to comment about what program or host will replace Mr. Beck in the 5 p.m. time slot.

Article source: http://feeds.nytimes.com/click.phdo?i=eec3632a12d798bc1320168a2da20518