In response, the city government has begun an ambitious program of large-scale, mixed-use developments on the periphery. The goals are twofold: creating an engine for economic growth while preserving the Belle Époque Paris beloved by tens of millions of tourists; and integrating the prosperous city with struggling inner-ring suburbs, or banlieues.
Though France, and much of Europe, remains mired in economic malaise, one such development, the Clichy Batignolles project in northwest Paris, is gaining momentum this year after more than a decade of planning.
The first residents moved in last fall, the second phase of a much-loved and much-needed park is close to completion, an office complex that will be owned by the New York real estate company Tishman Speyer is seeking tenants, and site preparation is nearly done for a soaring courthouse designed by Renzo Piano’s studio that will be one of the tallest buildings in Paris.
Mr. Piano first made his mark in Paris with the radical Pompidou Center in the mid-1970s. He acknowledged that the courthouse and the Clichy Batignolles project were taking Paris in a different direction — but a necessary one, he argued in an interview at his Paris workshop.
“We are celebrating a shift in the history of the town,” he said. “We are bringing the fertilizing elements to the periphery. You are changing something, and changing something is not easy.”
By the numbers, the 133-acre project is impressive for any city: 12,700 projected jobs; 3,400 housing units, subsidized and market-rate; 1.5 million square feet of office space; 410,000 square feet of public facilities, including schools; 334,000 square feet of shops and services — and 90 courtrooms and offices to accommodate some 8,000 people a day in the 524-foot-tall courthouse.
Garbage and recyclables will be collected with a system of pneumatic tubes, sharply cutting emissions and odors. Buildings with “green” roofs with vegetation, slabs of photovoltaic cells and geothermal heating point to an ambitious goal of carbon neutrality.
The project will offer commuters and residents a range of transportation options, including two new Metro stations, an extension of the tramway that nearly circles the city, a regional rail station and a 600-space underground parking garage.
But Paris being Paris, the prospect of high-rise offices, glossy apartment blocks and a large influx of low-income housing has not been received with great enthusiasm.
Brigitte Kuster, the maire, or mayor, of the 17th Arrondissement, protested that the area already had a large amount of subsidized housing, said Hubert Jamault, her chief of staff. Ms. Kuster, he said, “is not against the construction of social housing, but she does not want all the difficulties to be concentrated in the same place.”
Now, he said, after a petition drive, appeals to the city council and “numerous” public meetings with the city, her concerns have largely been addressed.
The decision to allow buildings up to 50 meters tall (about 160 feet) “has been the subject of a broad dialogue with local residents,” said Anne Hidalgo, a deputy mayor of Paris and a champion of the project. (The courthouse is an exception.)
Ms. Hidalgo, a leading candidate for mayor in elections next year, said the height of the buildings would be in proportion to the park — similar to Central Park in New York — and would allow for innovative architecture, and views and light for inhabitants.
“I’m quite happy with the results,” Ms. Hidalgo said via e-mail, “which offer Paris a new neighborhood that is ecological, a pleasant place to live, innovative in all ways, very Parisian, and resolutely turned toward the future.”
Clichy Batignolles, named for the adjoining neighborhoods, was first planned in 2001 under Mayor Bertrand Delanoë of Paris and Ms. Hidalgo, said Didier Bailly, director general of Paris Batignolles Aménagement, the corporation formed to oversee much of the project.
In the subsequent years, transportation, housing and office components were added, and — reminiscent of the Hudson Yards development in Manhattan — the site became a centerpiece of Paris’s bid for the 2012 Olympics, which were captured by London.
By 2008, Mr. Bailly said, all the components of the project were in place with the deal to build the courthouse. That year, though, the persistent recession that the French call “la crise” struck.
“The crisis means that investors are extremely demanding,” Mr. Bailly said. “They have means, but they’re very attentive to how it’s invested; they want to ensure the safety of their investment.”
Some developers have delayed building in Clichy Batignolles, hoping that the market will improve. No large commercial tenants have yet committed to the project.
Tishman Speyer, for one, is confident enough in the project, and the French economy, to have invested about 200 million euros (about $260 million) in two office buildings — even before work started and any tenants had signed on. The project, called Pont Cardinet, will offer a total of about 25,000 square meters (about 270,000 square feet) of office space and is expected to be finished early next year.
This article has been revised to reflect the following correction:
Correction: May 22, 2013
Because of an editing error, a summary with an earlier version of this article misstated the size of the Clichy Batignolles project in northwest Paris. It is 133 acres, not 154.
Article source: http://www.nytimes.com/2013/05/22/realestate/commercial/ambitious-paris-project-takes-shape-in-the-suburbs.html?partner=rss&emc=rss