November 18, 2024

Vivendi Declined SoftBank’s Lucrative Offer for Universal

SoftBank, a Japanese phone carrier, made its bid to Vivendi’s board about three months ago, according to this person, who spoke on the condition of anonymity. Spokesmen for Vivendi and Universal declined to comment, and representatives of SoftBank could not be reached Thursday afternoon. The news of the offer was previously reported by The Financial Times.

Vivendi has been under pressure from shareholders to sell assets or split, and while the company has tried to refocus itself around its media divisions, which include Universal, the video game company Activision Blizzard and the film and television company Canal Plus Group, it has had difficulty selling off telecoms. Vivendi canceled the sale of GVT, its Brazilian telecommunications unit, after failing to find a satisfactory price, and it is in the midst of selling its majority share of Maroc Telecom to Emirates Telecommunications, known as Etisalat.

SoftBank is buying Sprint Nextel for $21.6 billion, a deal that has been approved by Sprint’s shareholders but still needs the blessing of the Federal Communications Commission.

The bid for Universal underscores the attractiveness of large music and media catalogs in the digital age, even as record companies struggle to replace revenue from lost CD sales. Consumers are increasingly turning for their entertainment to streaming services like Spotify and Netflix, which sell access to music or movies and rely on licensing deals with media companies.

Universal is the world’s largest music company, with hundreds of artists including Kanye West and U2. In late 2011 it paid $1.9 billion for the recorded music assets of EMI, although European regulators demanded that Universal sell about a third of EMI, along with other assets; this month Vivendi reported that those sales raised about $850 million.

Last year Universal had $6 billion in revenue, and $694 million in earnings before interest, taxes and amortization.

The bid for Universal also comes as Sony faces pressure from Daniel S. Loeb, an American hedge fund mogul, to sell its entertainment arm, which includes Sony Music Entertainment, Universal’s biggest competitor. So far Sony has rebuffed those demands.

Analysts expressed disappointment that Vivendi’s board did not accept SoftBank’s offer. Allan C. Nichols, a telecommunications analyst at Morningstar, valued Universal at about $5.8 billion after its EMI deal closed last year; Sanford C. Bernstein Company’s estimate is $6.3 billion. “I think it’s crazy to have had that size offer and not taken it,” Mr. Nichols said. “It’s a shame for shareholders.”

Article source: http://www.nytimes.com/2013/07/19/business/media/vivendi-declined-softbanks-lucrative-offer-for-universal.html?partner=rss&emc=rss

Media Decoder Blog: Backstage to Acquire Sonicbids

Looking for a part on Broadway? Or maybe a showcase at South by Southwest? Both searches could end up fielded by the same company, now that two of the leading sites that help actors and up-and-coming musicians find work are joining together.

Backstage, a publication that since the “Mad Men” age has been a highly trafficked job board for actors, will announce on Wednesday that it is buying Sonicbids, a Web site that lets bands book performances at festivals, clubs and elsewhere.

The deal is estimated at $15 million, and will be financed by Guggenheim Partners, whose media properties include Dick Clark Productions and Prometheus Global Media, the company behind trade publications like Billboard and The Hollywood Reporter.

Backstage and Sonicbids serve separate parts of the entertainment world, but they have similar business models, offering users some access free and charging subscriptions for more extensive features. John Amato, the chief executive of Backstage, and Panos Panay, the founder of Sonicbids, said in a joint interview on Tuesday that the combined company would have 600,000 registered users, with 60,000 of them paying subscribers.

Listings by and for performers seeking work are the bread and butter of both sites. Backstage is still published in print, but Mr. Amato said that more than 70 percent of its business is online. Since 1960, Backstage has been the bible of casting calls and audition notices for Broadway, film and television.

“If you have a desk job, there are a lot of places you can go to find a job online,” said Mr. Amato, who will lead the combined company. “If you are a creative, there aren’t a lot of those places.”

Sonicbids, founded in 2001, lets its users build online press kits and apply for shows with promoters. It competes with other artist-services companies like ReverbNation, and also Myspace, where musicians of every level can create public profiles. Sonicbids is also the platform used by the South by Southwest festival for band applications.

The site has also tried to make itself a talent forum to attract corporate brands, like Bud Light and Gap, that are looking for music for ads or promotional campaigns.

“We find that bands are not just looking for gigs,” Mr. Panay said. “They are also looking to connect with brands, to have their music in TV commercials, to have their music on Broadway and in film.”

Sonicbids, based in Boston, will retain its name and staff, as will Backstage, which has offices in New York and Los Angeles.


Ben Sisario writes about the music industry. Follow @sisario on Twitter.

Article source: http://mediadecoder.blogs.nytimes.com/2013/01/30/backstage-to-acquire-sonicbids/?partner=rss&emc=rss

Media Decoder Blog: Streaming Lifts Home Entertainment Spending

LOS ANGELES — Total spending on film and television in home entertainment formats rose ever so slightly in 2012, to about $18 billion, up 0.23 percent from $17.96 billion a year earlier, the Digital Entertainment Group, a trade association, said on Tuesday.

Any sort of increase was welcome news to the industry, given the long slide in DVD sales. The numbers were helped along by a sharp increase in revenue from the subscription streaming of movies and shows, to $2.3 billion from $1.6 billion.

Disc sales declined 5.5 percent to $8.5 billion, from almost $9 billion last year, and revenue from video rental stores declined sharply, to $1.2 billion from about $1.6 billion. But growth in video-on-demand and digital sales pushed the industry ahead.

Article source: http://mediadecoder.blogs.nytimes.com/2013/01/08/streaming-lifts-home-entertainment-spending/?partner=rss&emc=rss