November 25, 2024

Media Decoder Blog: Profit Slides 6% at Disney as Movie and TV Divisions Lag

ESPN’s “College GameDay” in Raleigh, N.C. Increasing costs at ESPN hurt Disney’s earnings.Phil Ellsworth/ESPN Images ESPN’s “College GameDay” in Raleigh, N.C. Increasing costs at ESPN hurt Disney’s earnings.

LOS ANGELES — Higher costs at ESPN and lower DVD sales resulted in a 6 percent decline in quarterly profit at Disney, the company said late Tuesday. But Disney’s video game and Web unit finally swung to a profit and the conglomerate steered attention toward potential “Star Wars” growth.

Wall Street reacted positively; Disney shares climbed 3 percent in after-hours trading, to about $56.

Robert A. Iger, chairman and chief executive of the Walt Disney Company, told analysts in a conference call that Disney’s newly acquired Lucasfilm division is moving forward with “a few” additional movies that feature characters from the “Star Wars” universe.

Lawrence Kasdan, known for his work on “The Empire Strikes Back” and “Return of the Jedi,” and Simon Kinberg, a screenwriter whose credits include “Sherlock Holmes,” are both working on the “stand-alone” films, Mr. Iger said. Disney has previously announced plans to make the seventh, eighth and ninth installments in the “Star Wars” saga; they will roll out over a six-year period starting in 2015 with one directed by J.J. Abrams.

Investors and analysts had been expecting a bumpy quarter. Disney made the unusual decision in November to note publicly some of its coming difficulties, like higher ESPN programming costs and a calendar quirk that would hurt theme parks by moving part of the New Year’s holiday into a different quarter.

Even so, Disney beat Wall Street estimates of 76 cents a share. For the quarter, which ended on Dec. 29, Disney reported net income of $1.38 billion, or 77 cents a share, down from $1.46 billion, or 80 cents a share, in the same quarter a year earlier. Excluding one-time charges and gains, Disney reported 79 cents a share for the most recent quarter, the first in the company’s fiscal year.

Revenue climbed 5 percent, to $11.34 billion.

ESPN had a significant impact on Disney’s quarter, with programming expenses increasing for football and basketball. Those costs held back results for Disney’s media networks unit, which houses the cable sports behemoth; operating income there increased a tepid 2 percent, to $1.21 billion. The growth came from the Disney Channel, ABC Family and higher ad sales at the ABC broadcast network.

Also dragging down quarterly results was Walt Disney Studios, which reported a 43 percent drop in operating income, to $234 million. The problem involved comparability: DVD sales for “Brave” and “Cinderella” were slight compared with disc releases in the same period a year earlier for “Cars 2” and “The Lion King.”

Theme parks continued to be a bright spot. Operating income in Disney’s parks and resorts division, watched as a barometer of the broader economy, increased 4 percent in the most recent quarter, to $577 million. Higher attendance at Disneyland Resort in California, where a “Cars”-themed area opened last summer, contributed to the growth, as did strong bookings on the company’s Fantasy cruise ship.

Interactive media, a business unit that includes video games and Disney.com, turned to an operating profit of $9 million after 16 consecutive quarters of losses. The company cited growth from Disney-branded cellphones in Japan as part of the reason. But Mr. Iger told analysts that there would most likely be losses ahead. “We know we have more work to do,” he said.

Article source: http://mediadecoder.blogs.nytimes.com/2013/02/05/costs-at-espn-depress-disney-profits/?partner=rss&emc=rss

Media Decoder Blog: Katie Couric to Interview Manti Te’o

1:42 p.m. | Updated Katie Couric has landed the first television interview with Manti Te’o, the Notre Dame football star who said he was tricked into believing first that he had a girlfriend and then that the girlfriend died of leukemia. The girlfriend never existed.

The oddity of the preceding sentences explain why Mr. Te’o has received so much attention in recent days, and why the first interview of him has been so hotly pursued.

The ESPN reporter Jeremy Schaap interviewed Mr. Te’o for two and a half hours on Friday night, but Mr. Te’o’s representatives insisted that it take place off-camera. Now, it seems, they are ready for him to go on-camera.

Ms. Couric’s interview will be televised on Thursday on “Katie,” the syndicated talk show she began last fall, a spokeswoman for the show said on Sunday. Excerpts from the interview will be broadcast in advance on “Good Morning America” and other ABC News programs.

Mr. Te’o will be joined by his parents, Brian and Ottilia, for the interview. Mr. Te’o apparently misled his father about the girlfriend, claiming at one point that he’d met her in Hawaii.

Mr. Te’o told Mr. Schaap on Friday that he was the victim of an elaborate hoax. “I wasn’t faking it,” he said. That possibility was brought up three days earlier when the Web site Deadspin published an investigation into his claims about the girlfriend.

Ms. Couric and her staff beat out a number of other interviewers who tried to secure an interview with Mr. Te’o, including Oprah Winfrey. Ms. Winfrey’s much-anticipated interview with Lance Armstrong was televised last Thursday and Friday on her cable channel OWN.

The spokesman hired by Mr. Te’o’s family in recent days, Matthew Hiltzik, is also the longtime spokesman for Ms. Couric.

Article source: http://mediadecoder.blogs.nytimes.com/2013/01/20/katie-couric-to-interview-manti-teo/?partner=rss&emc=rss

Media Decoder Blog: Rob Parker Is Suspended by ESPN Over Racial Comments

ESPN announced on Friday that it had suspended Rob Parker, a commentator on the network’s program “First Take,” because of his racially oriented comments about the rookie quarterback for the Washington Redskins, Robert Griffin III.

During a planned discussion on Thursday’s show about whether Mr. Griffin, who is black and wears his hair in braids, was a “post-racial figure,” Mr. Parker, who is himself black, asked the question: “Is he a brother, or is he a ‘cornball’ brother?”

Pressed to explain, Mr. Parker said: “He’s black; he kind of does his thing. But he’s not really down with the cause. He’s not one of us.”

He also said that Mr. Griffin was engaged to a white woman and referred to “all this talk” that the quarterback may be a Republican. The subject of Mr. Griffin’s hair being in braids also came up, and Mr. Parker said that this gave him pause because “that’s very urban” and “wearing braids is pure brother.”

The comments were immediately countered by one of the other panelists on the show, Stephen A. Smith, who is also black. He said he was uncomfortable with the direction the conversation had taken about Mr. Griffin.

“The ethnicity or the color of his fiancée is none of our business,” Mr. Smith said. “It’s irrelevant. He can live his life in whatever what he chooses. The braids that he has in his hair, that’s his business. That’s his life.”

ESPN did not take any action in the immediate aftermath of the show, which was broadcast at 10 a.m. on Thursday. It was not until much later in the day, after the issue had been taken up on various Web sites, including one called “Awful Announcing,” that the network issued a first statement labeling the comments inappropriate.

On Friday, ESPN released another official statement: “Following yesterday’s comments, Rob Parker has been suspended until further notice. We are conducting a full review.”

A network spokesman, Mike Soltys, said ESPN would have no further comment pending its review.

Mr. Parker is a former columnist for The Detroit News.

The incident was instantly connected to other racially oriented comments made on ESPN. In 2003, the conservative radio host Rush Limbaugh, who then appeared on ESPN’s weekend NFL pregame coverage, said that the Philadelphia Eagle quarterback Donovan McNabb was overrated by a media that was “very desirous that a black quarterback do well.”

An ESPN executive first defended Mr. Limbaugh. But three days later, after a storm of criticism over what many labeled a racist remark, the network released a statement saying it had told Mr. Limbaugh that his comments were “insensitive and inappropriate.”

He resigned from ESPN that evening, saying he did not want to be “a distraction” to the network because of the McNabb comments.

Mr. Parker has declined comment since the program was broadcast, though he did respond via Twitter, calling his critics misinformed.


Bill Carter writes about the television industry. Follow @wjcarter on Twitter.

Article source: http://mediadecoder.blogs.nytimes.com/2012/12/14/espn-suspends-commentator-over-racial-comments-about-quarterback/?partner=rss&emc=rss

TV Stations Scramble for Shows to Fill N.B.A. Spots

“We’re about to go into the nuclear winter of the N.B.A.,” David Stern, the league’s commissioner, told ESPN on Monday after the players rejected the latest offer and moved to dissolve their union.

Big media companies are likely to feel the chill, with months of empty television time that would typically be filled with N.B.A. games. ESPN and ABC, owned by the Walt Disney Company, and Time Warner’s Turner Sports pay a combined $1 billion a season for the rights to games. The N.B.A. drives ratings in the coveted 18- to 34-year-old male demographic that advertisers pay a premium to reach. And it gives cable networks leverage in negotiating carriage fees, or the price cable companies pay in order to offer subscribers a network.

The N.B.A. said on Tuesday that at the end of the current season it would discuss repayment to networks for fees associated with canceled games. If the entire season is wiped out, the league could add an additional year to Turner and Disney’s contract, which runs through the 2016 season.

Last season, from October 2010 to June 2011, marketers spent $806 million to advertise during games, with 53 percent of those dollars spent during the playoffs, according to Kantar Media, a division of WPP.

John K. Martin, Time Warner’s chief financial officer, said in an earnings call this month that a drop in ad revenue would be “relatively immaterial” because it would be offset by a reduction in rights costs.

But in addition to ratings and ad revenue, N.B.A. games provide valuable marketing cachet and help promote other shows. For example, TNT promoted its original series “Rizzoli Isles” during last spring’s playoffs.

ESPN will offer marketers time during other live sporting events, when viewers are less likely to skip commercials using digital recording devices. “We are working closely with our advertisers and are prepared to re-express dollars currently committed to the N.B.A. to other properties,” Nate Smeltz, an ESPN spokesman, said.

For now, TNT has replaced N.B.A. games with episodes of “C.S.I: NY.” Marketers will have the chance to advertise on shows on sister networks that reach similar demographics like TBS, Adult Swim or reality shows on TruTV, the network said.

Those lower-rated alternatives will appease advertisers only in the short term, said Brad Adgate, senior vice president for research at Horizon Media, a media buying firm. Last season, a playoff game on TNT between the Chicago Bulls and the Miami Heat drew 11.1 million viewers, compared with an overall nightly average of 1.3 million, according to Nielsen. “There’s no substitute for live sports,” Mr. Adgate said.

The lockout could have a disproportionate impact on regional sports networks that rely on a hometown team’s games to bring in viewers and local advertisers. The MSG network, owned by the Madison Square Garden Company, typically has Knicks games three nights a week. It will now rely on shows that mix archival Knicks games with player interviews. MSG will still have live National Hockey League games.

Instead of New Jersey Nets games, Yankees Entertainment and Sports, known as the YES network, will have “Yankees Baseball Daily,” an off-season news and analysis show, five nights a week, and live college basketball games.

Networks braced for further N.B.A. delays after players said Monday they had rejected the league’s latest offer. Had they reached agreement, a 72-game season would have started on Dec. 15. A 204-day lockout in the 1998-99 season led to a truncated 50-game season and the cancellation of the All-Star Game. Television networks largely made up for the missed games by charging advertisers a premium for end-of-season and playoff games.

Some were still holding out hope that the season, and valuable television programming, would not be totally lost. “We believe in the strength of the N.B.A. brand and hope for an outcome that preserves as much of the 2011-2012 season as possible,” David Levy, president of sales, distribution and sports for the Turner Broadcasting System, said.

Article source: http://feeds.nytimes.com/click.phdo?i=85535ec6a3895ff6969b1435b6b2dbcd

Novelties: PlayLater Offers an Online Answer to the DVR

But streamed shows can be ephemeral — they depend on a good broadband connection, and they pass by as they are viewed, unlike downloaded videos that can be watched later offline. And some shows can’t be found again at a site that once provided them, because they are meant to have a limited run.

Now, for $5 a month, a new service called PlayLater lets subscribers copy streaming video as it shows up at 30 sites, including Netflix, Hulu, PBS, ESPN and CNN, so they can watch it later.

With PlayLater, viewers can stockpile episodes of their favorite television shows on their hard drives and thumb drives, just as they copy programs on a digital video recorder for later viewing.

PlayLater has many restrictions — it works only on PCs, and the videos made with the software may be watched only on the PC licensed by PlayLater to record the show, or on another PC that shares the license. And it doesn’t work with iPhones, iPads, or mobile Android devices, although Jeff Lawrence, the chief executive of PlayOn, the Seattle company that offers the subscription service, said these apps would be available soon.

The number of people who watch streaming video is climbing, said Radha Subramanyam, an executive at Nielsen, the ratings firm, “and so is the time they spend watching.” Netflix subscribers spent an average of nearly 8.5 hours doing so in June, she said.

“Everyone streams across all ages,” she said, “but some age groups stream more than others.” She said that there were strong numbers for both the 18-to-24 and 24-to-35 age groups.

PlayLater is among many new services that aim to take advantage of streaming’s popularity, said Dan Rayburn, a New York-based analyst at Frost Sullivan, a market research firm, and an executive at StreamingMedia.com, a Web site devoted to covering the streaming media field.

Mr. Rayburn called the subscription service “a great idea” but said it had many weaknesses. “Most important,” he said, “it doesn’t work on Macs.”

I signed up for a free trial offered by PlayLater and installed the software on my PC — a painless process that took about 10 minutes. There is no central schedule of streaming choices at the bare-bones PlayLater home page. Instead, I went to each participating site and shopped for shows I might want to copy. The software records in real time, so it takes 30 minutes to copy a 30-minute show — though you can skip the commercials when you watch the recordings later.

I listed in a queue all the programs I wanted, then PlayLater recorded them one after another. But I couldn’t program the software to record on future dates, as can be done with DVRs. (Mr. Lawrence of PlayLater says the company is working on creating this feature.)

Streaming quality, of course, will be affected by the Internet connection. PlayLater’s site recommends a broadband connection of at least 1.5 megabits a second, the same speed that Netflix recommends.

Even with a decent connection, you should be sure that other people on your home network aren’t downloading large files or playing an online game, taking away needed bandwidth.

The quality is also affected by computer hardware. You’ll need a laptop or desktop PC bought within the last five years to avoid problems, Mr. Lawrence said. Each hour of video being recorded requires about one gigabyte of storage space.

The picture quality of the shows I stored on the hard drive was similar to that of the movies I stream from Netflix or Amazon — sharp and clear when tiny, and grainier when I enlarged the image. That is how it should be, said Ara Derderian , co-host of the HDTV and Home Theater Podcast.

“Don’t expect high definition, or the quality of a Blu-ray player,” he said. “The copy of what’s streamed should look identical to what you’d get if you were streaming it.”

SUBSCRIBERS might also be worried about the legality of copying video content. Mr. Lawrence said PlayLater is following the path set earlier by VCRs and DVRs.

“PlayLater is legal for the same reason that using a VCR and a DVR is legal,” he said. “There is a well-established legal precedent that consumers are allowed to record videos for time-shifted viewing.” (In time-shifting, people make copies for their personal use that they can view later.)

Denise M. Howell , an appellate, intellectual property and technology lawyer in Newport Beach, Calif., says she isn’t so sure that software like PlayLater’s will succeed without a legal challenge. She pointed out that the terms-of-service agreements that users have with companies like Netflix and Amazon limit a video’s viewing.

“If the streaming sites let this go, ignoring it, they will irritate the people who provide the content,” she said. “They are not going to be able to sit back and look the other way.”

E-mail: novelties@nytimes.com.

Article source: http://feeds.nytimes.com/click.phdo?i=d43f3a7ad02365a0b77b0a390ae79b1a

DealBook: At Goldman, Pressure on Staff to Keep a Low Profile

ALTTEXT

When Matt Levine, a vice president at Goldman Sachs, announced in May that he was leaving his job to become a full-time writer for Dealbreaker, a satirical blog that covers the finance industry, a few colleagues gave him a wary send-off.

“Pretty much everyone thought it was awesome, though some of them are sort of nervous about talking to me now,” he said.

Katie Baker got a similar reaction when she announced that she was planning to leave Goldman’s private wealth management division, where she worked as a vice president, to write for Grantland, a new ESPN sports site. While colleagues in her group were excited, Ms. Baker, 28, had to meet with Goldman executives, who quickly rejected her plans to continue working at the firm for her final two weeks, according to a person with knowledge of the situation.

Restless Wall Street workers often dream about quitting their jobs, breaking the so-called golden handcuffs of high-paying finance careers to chase their passions. But several recent Goldman Sachs employees with interests in the media, arts and other visible industries have found themselves in uncomfortable positions with the firm. At Goldman and other banks whose reputations were damaged in the financial crisis, a public persona can be a liability.

In Ms. Baker’s case, she was told that writing about her time at Goldman would represent a breach of her confidentiality agreement, which extended indefinitely. The firm informed Mr. Levine, 33, that he would have to take a paid 60-day leave before he could start at Dealbreaker, a common industry waiting period referred to as a “garden leave.”

“I don’t think it’s all that surprising, given everything that’s gone on with Goldman Sachs and the press,” said Bess Levin, the Dealbreaker editor who hired Mr. Levine.

A Goldman spokesman declined to comment. Ms. Baker and Mr. Levine declined to talk about the contractual terms of their departure, citing their confidentiality agreements.

Investment banks have always prized discretion among employees. But at Goldman — an investment bank so private that many of its employees refer to it simply as “the firm” — there is added pressure to keep a low profile.

Allen Mask came to Goldman’s retail analyst program as a 22-year-old with a side career. An amateur rapper during his time at the University of North Carolina, Mr. Mask had recorded several albums and hoped to further his music career in New York.

“At first, it was a cool thing, and everyone at the firm was like, ‘We’re here to support you,’ ” said Mr. Mask, now 23. “They knew that was part of my life.”

But then a financial blogger discovered his Goldman connection and posted one of his performance videos online, crowning him the “hip-hop investment banker.” As more blogs and media outlets picked up his story, Goldman’s media gatekeepers clamped down. They declined interview and television requests on his behalf and eventually gave him strict orders: no more performing, no more recording and no speaking to the media.

Mr. Mask, faced with a choice between his music and his finance career, decided to quit.

“I didn’t do anything to deserve the negative treatment and the harassment I got,” said Mr. Mask, who now works for Google and lives in Silicon Valley. “It’s not like I changed the share price.”

Tom Comerford, an employee in Goldman’s graphics department, was also a victim of side-career success. In his spare time, he moonlighted for the Wall Street Experience, giving guided tours of New York’s financial district. When a British newspaper wrote an article about Mr. Comerford, he was called into meetings with the firm’s legal and compliance officers. He left the firm of his own accord shortly thereafter.

“I told them I could understand their anger,” said Mr. Comerford, who still gives Wall Street tours.

“But they said, ‘No, you don’t understand. Even if you want to be on the board of your condo, you have to get it passed through us,’ ” he added. “They’re very covetous over their name.”

Goldman has regulatory reasons to be wary. A federal rule requires employees at financial institutions to disclose outside sources of income. Ms. Baker, the wealth manager, wrote paid freelance articles for several blogs while on the job at Goldman without informing the firm, a clear violation of the regulation.

But reputation is just as important on Wall Street.

“People expect their bankers to behave like bankers,” said one former trader at JPMorgan Chase, who left the firm to pursue a film career. The trader, who spoke on the condition of anonymity to protect his relationships at the bank, added, “You’re not supposed to be known for anything else or stand out for anything besides your work.”

Image concerns in the corporate world are hardly unique to Goldman, and not everyone gets the third degree. Frank Leung, who worked at Goldman’s London office, left in 2009 to open a Mexican restaurant with a friend from college. Mr. Leung said that he was on good terms with his former colleagues, some of whom he continued to serve as customers at the restaurant.

“Maybe they’re more lenient in the United Kingdom,” he said.

Regardless of the tenor of their departures, recent Goldman dropouts said they were happier now. Mr. Levine and Mr. Mask emphasized that they still had good relationships with Goldman, and Ms. Baker said that her only regret was quitting before a Shake Shack diner went up next to the firm’s Manhattan headquarters. (“Goldman always wins,” she joked.)

For Mr. Levine, taking a big pay cut to work at Dealbreaker — a blog that covers, and often lampoons, his old employer — could be seen as a rogue move. But the blog’s editor, Ms. Levin, said she did not expect Mr. Levine to reveal any trade secrets, although she was excited about having a Wall Street insider on staff.

“Of course Goldman expects me not to write about anything that I saw or did at the firm,” Mr. Levine said. “But I was a corporate equity derivatives marketer and believe me, no one wants to read about that.”

Article source: http://feeds.nytimes.com/click.phdo?i=6666f1b77d5c80b68393f7b001a94ae0

Nick Charles, 64; Became the Face Of Sports on CNN

Nick Charles, a former taxi driver who became CNN’s first sports anchor and served in that role for nearly two decades, died Saturday at his home in Santa Fe, N.M. He was 64.

He had been suffering from bladder cancer for two years, the network reported.

Nicholas Charles Nickeas was born June 30, 1946. He grew up in Chicago, working late-night jobs in high school to help his family, CNN said. He eventually went to Columbia College Chicago to study communications and drove a taxi to help pay his tuition.

He was still driving taxis in 1970 when he landed a job with WICS in Springfield, Ill. He adopted the name Nick Charles at the urging of his news director, the network said.

Mr. Charles later worked at local stations in Baltimore and Washington and then began at CNN in Atlanta on the network’s first day, June 1, 1980.

He worked with Fred Hickman for almost 20 years on “Sports Tonight,” a daily highlight show that battled with ESPN for viewers. Mr. Charles became such a popular TV personality that Topps put his face on a trading card, CNN reported.

With his well-coiffed, curly black hair and sharp suits, Mr. Charles brought GQ-like style to CNN’s broadcasts. But he also was known as a skilled interviewer who related easily to subjects while not being shy about asking tough questions.

In recent months, Mr. Charles openly discussed his battle with cancer. He made video diaries for his 5-year-old daughter Giovanna to see in years to come.

Besides his daughter, Mr. Charles is survived by his wife of 13 years, Cory, and three children from two previous marriages, Jason, Melissa and Katie.

Article source: http://feeds.nytimes.com/click.phdo?i=6fb712d93892268fe492e615f98ef607

NBC Wins TV Rights to 4 Olympics for $4.38 Billion

It was NBC’s first Olympic deal since 1988 without Dick Ebersol, the longtime head of NBC Sports, who resigned last month after helping to engineer eight winning bids. The victory was a sign that Comcast saw the value of continuing the relationship with the Olympics, with its powerful impact in prime time.

Companies had the option to bid for two Games, four Games, or both. ESPN bid $1.4 billion for the 2014 and 2016 Games; Fox put in bids for two Olympics and for four Olympics.

The auction took place at International Olympic Committee headquarters in Lausanne, Switzerland, generally following the same procedure it did eight years ago. At the time, NBC agreed to pay $2 billion to carry last year’s Winter Games in Vancouver and next year’s Summer Games in London. Fox bid $1.3 billion and ESPN offered to share revenues with the I.O.C. but never specified a dollar figure. NBC won easily, and General Electric, then the network’s parent company, added $200 million for a global Olympic sponsorship.

But this week’s three-network auction came in the aftermath of the global recession, NBC’s $223 million loss in Vancouver and the possibility that it would lose at least that much in London.

Comcast, ESPN and Fox had said that they would be prudent and not bid wildly.

The auctions followed a period in which only NBC was involved.

Through two pre-emptive bids executed within a few months in 1995, NBC acquired the rights to all the Olympics from 2000 to 2008 for $3.5 billion.

Fox officials made their presentation first Monday, followed Tuesday morning and afternoon by ESPN and NBC. Their audience consisted of nine officials of the Olympic committee, including Jacques Rogge, its president; Richard Carrión, the I.O.C. member from Puerto Rico, who was in charge of the auction, and Timo Lumme, the director of television and marketing services. At the end of NBC’s presentation, each network placed a sealed envelope containing its bid into a plexiglass box.

Article source: http://feeds.nytimes.com/click.phdo?i=460ed8a8e960b1f4a7421f33f6c9198e