“We were in process for so long and this character has had so many different functions for me,” she added. “At first, I think I just needed to prove to myself again that I’m funny. And then I realized that I was doing something that actually was very personal to me. So making the movie was trying to show this very interior part of myself. I just can’t believe that it worked.”
And worked it has. The Hollywood Reporter called it “a sweet, uncomplicated film whose message about self-compassion and community feels especially prescient.” And IndieWire deemed it a critic’s pick, naming it “the cutest film about familial grief you’ll see all year, perhaps ever.”
“Marcel” is one of a handful of films debuting at Telluride that is looking for a buyer. And despite it being in the works for nearly a decade, it’s one of many films at the festival, including Mike Mills’s “C’mon, C’mon,” Joe Wright’s “Cyrano” and Peter Hedges’ “The Same Storm,” that feel like a response to our current mood of anxiety and alienation. “I’m really pleased that the film is arriving at this moment,” said Camp, who argues that the serendipitous timing suggests that “we were already feeling increasingly isolated and vulnerable even before Covid hit.”
Back in 2010, when Marcel first emerged, Slate said, she was “waiting to get fired from ‘Saturday Night Live,’” which she worked on for one unhappy year. Yet the voice that activates Marcel was one she never used on the sketch show.
“I felt like I had done every voice that I could have done in order to save myself there and then suddenly, this voice that I had never done before, came out of my mouth,” she said. “Looking back on it, it was a real choice to use it just for myself, privately. This wouldn’t have belonged on ‘S.N.L.’ anyway and it was this very lovely opening to a belief that there is a world outside of the tiny, narrow hallway that contains what you perceive as your own failure.”
Article source: https://www.nytimes.com/2021/09/05/movies/jenny-slate-marcel-the-shell.html
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