April 15, 2026

The Half King Is Dead. Long Live the Half King.

Steps away from an entrance to the High Line was the Half King. Inside was a dimly lit bar and a few wooden booths. About twice a month or more, since the bar opened, an invited author would set up shop toward the back of the bar’s spacious dining room. The doors would close, and for a couple of hours, the writer would discuss his or her most recent book with a moderator and a mixed crowd of fans, colleagues, and any unaware diners that may have found themselves present and yet to finish their meal. The event, which was held about 30 times this past year alone, became an integral part of the bar’s identity: The Half King Reading Series.

“I introduced every reading by saying, ‘There’s 10,000 different things you could do in New York any single day, and we don’t take for granted that you’ve chosen to be with us,” said Glenn Raucher, who assumed the role of curating and moderating the series a year ago.

“I wanted to make sure that the experience was organic, holistic and that everyone in the room got something from it,” said Mr. Raucher, who ordered a Widow Jane whiskey, neat, before moderating each reading. “And I sweated over time trying to make that happen. Even on the nights when we only had a few people, you could say the conversation only took on more importance.”

In his early days of curating the series, Mr. Raucher remembered asking how much “carte blanche” he had in choosing the guests. “You have all the carte blanche you want,” Mr. Junger replied. “Just nothing too shiny.” The goal was, according to Mr. Raucher, to keep true to the ethos of the bar and present works that touched upon a wide-range of topics and issues, and more important, create a discussion that guests felt worthwhile being a part of.

Since the launching of the Reading Series, speakers have ranged from authors like Bill McKibben, the acclaimed environmentalist, to Pulitzer Prize-winning journalist David Cay Johnston, to the writer Vegas Tenold, who wrote the book “Everything You Love Will Burn,” about his time embedded in the American far right.

But beyond the readings, the Half King was a pioneer in its photography exhibits. Every six to eight weeks, fine art photographers and world-class photojournalists would showcase their work, usually with a presentation given by one of the photographers. The exhibits, since 2010, have been curated and moderated by Anna Van Lenten, among other experts. And in its early stages, James Price, a photo editor at Newsweek, was involved.

Article source: https://www.nytimes.com/2019/01/25/nyregion/half-king-nyc-closing.html?partner=rss&emc=rss

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