April 20, 2024

Media Decoder Blog: The Breakfast Meeting: How ESPN Missed the Hoax Story and Hard Times at Sundance

ESPN had been trying to confirm the story that Manti Te’o’s girlfriend – whose apparent death from leukemia became a rallying cry for Notre Dame football and a selling-point for the linebacker’s Heisman candidacy – was a hoax. But the network was hoping for an interview with Mr. Te’o and lost the story to Deadspin.

The money was noticeably tight at Sundance Film Festival, where $6 million was considered a big acquisition price – sobering news for independent films, which still struggle to recoup production costs. Some of the big purchases so far: HBO bought the documentary “Pussy Riot – A Punk Prayer,” and Relativity Media bought “Don Jon’s Addiction,” a comedy about a man who watches too much Internet pornography.

CNN dominated ratings for the presidential inauguration, although ratings across the board were down from 2008. Surprisingly, Fox News beat out liberal rival MSNBC during prime time.

On Monday, Cumulus Media announced an end to the 17-year drought of country music radio in New York. The new station, WRXP at 94.7 FM, will feature a country format called Nash that will play some of the biggest hitmakers in music – country is one of the few bright spots for the industry – and promote the “country lifestyle” to city dwellers whose idea of a stampede is the Q train at rush hour.

Fox’s huge marketing push behind the gruesome serial killer procedural “The Following” paid off with a 3.1 rating in the 18- to 49-year-old demographic for the show’s premiere.

The Super Bowl ad juggernaut continues with the usual suspects – beer, cola and car companies – pouring money into this year’s broadcast.

Article source: http://mediadecoder.blogs.nytimes.com/2013/01/23/the-breakfast-meeting-how-espn-missed-the-hoax-story-and-hard-times-at-sundance/?partner=rss&emc=rss

Nash FM Brings Country Music Back to New York Radio

But until this week, the country format was nowhere to be found on the New York radio dial.

On Monday, Cumulus Media introduced Nash FM, which ended country music’s 17-year drought on New York radio. The station provides the first glimpse of what Cumulus says will be an all-purpose vehicle to market what it calls the “country lifestyle” on dozens of its radio stations across the country as well as online, on television and in a new magazine.

The new station, WRXP, at 94.7 FM, fills a conspicuous gap in the nation’s largest media market. It is also an indication of how strong the country genre has become, not only in music but also in the broader popular culture, led by telegenic young acts like Taylor Swift and the group Lady Antebellum.

“The time is right to put together a multiplatform entertainment brand,” Lew Dickey, chief executive of Cumulus, said in an interview on Tuesday. “Country is at an all-time high.”

While country has been heard on some suburban stations over the years, the city has been without a country station since 1996, when WYNY changed to a pop format and became WKTU. The music industry has been pressing the big broadcasters for years to start a station to help promote country acts, whose tours sometimes bypass the city for theaters in New Jersey and elsewhere.

“We’ve been begging the major broadcasters to jump in with us,” said Scott Borchetta, president of the label Big Machine, whose acts include Ms. Swift, Tim McGraw and the Band Perry. “The market has changed so dramatically over the last 15 or 16 years since we’ve had a country station in New York City proper. I think our music is now in the best possible alignment with what can work.”

Variations on the “Nash” name will be used throughout Cumulus’s 83 country stations as well as its other country-themed media efforts, the company said. For example, Mr. Dickey said that Cumulus would start Nash Magazine, published by Modern Luxury, which will begin publication in the second half of the year. Down the line, he added, he wants to expand into video. “This will be the flagship of a national country brand,” Mr. Dickey said.

Cumulus operates a total of 525 stations, and is the nation’s second-largest broadcaster, behind Clear Channel Communications.

Broadcasters sometimes go to great lengths to keep format changes secret, and the case of Nash FM was no different. Cumulus assigned WRXP, the call letters of a former rock station, to the frequency, and over the weekend played a jumble of different formats to stir up interest while also cloaking its intentions to go country. (Next week the station will become WNSH.)

A success in New York could help propel Nash FM to prominence and draw new kinds of advertising. The market has nearly 16 million listeners age 12 and above, according to the ratings service Arbitron, and the city offers plenty of opportunities for promotional events, like concerts, that can be syndicated throughout Cumulus’s network.

New York may be the ultimate symbol of American urbanism, but it is a large market for country music. Last year, Nielsen said that more country albums were sold in the New York metropolitan area than anywhere in the United States — although as a proportion of all music sales in the region, New York ranks far below less populous areas in the South and Midwest.

With the fragmentation of media, country has been available to New York fans in plenty of other ways. Sirius XM Radio, for example, has six country stations, and last year it put on a concert for its listeners by Mr. McGraw at the Beacon Theater in Manhattan.

But music executives say that having a terrestrial station in the area will be a major help in selling concert tickets and promoting new music. The first song played on the new station on Monday was “How Country Feels” by Randy Houser, who performs on Thursday at the Mercury Lounge in Manhattan.

“It makes a statement that country music is strong and that country music is important,” said Greg Oswald of William Morris Endeavor in Nashville. “If you are willing to do it in New York City, then it’s saying everything that needs to be said.”

Even with country’s broad popularity, building a steady audience in New York for a genre of music that has been absent from the airwaves for so long might take time.

“If you look at the other major markets that have a successful country station — Boston, Philadelphia, Chicago, Detroit — those stations planted a stake in the ground and stayed with it, and now those stations are practically iconic,” said Mr. Borchetta, of Big Machine. “The country radio audience doesn’t spike. It grows in a beautiful, slow arc.”

Another challenge for Cumulus will be defining exactly what the country lifestyle means in New York.

“It’s an exurban lifestyle,” Mr. Dickey said. “It’s the five boroughs, the whole tristate area.”

He added, “We’re not just talking to people on the Upper West Side.”

Article source: http://www.nytimes.com/2013/01/23/business/media/nash-fm-brings-country-music-back-to-new-york-radio.html?partner=rss&emc=rss