April 19, 2024

Media Decoder: High-Wire Canyon Walk Drew 13 Million Viewers

On Sunday, as Nik Wallenda neared the finish of his death-defying high-wire walk across a gorge near the Grand Canyon, he thanked Eileen O’Neill and the other Discovery Channel executives who financed and televised the stunt.

On Monday, they were thanking him. During his 23-minute walk, about 13 million people were tuned to Discovery, according to preliminary Nielsen ratings that were trumpeted by the cable channel. Nothing else on television on Sunday night came close. (The season finale of “Mad Men” attracted 2.7 million viewers, though many more will watch later through digital video recorders.)

Another 300,000 or so watched the Web stream provided by Discovery, the channel said. The high-wire walk was also televised around the world, but comparable ratings were not available.

The ratings for Mr. Wallenda’s walk across the gorge were more or less equal to the ratings on the night last year when he walked across Niagara Falls. That stunt, televised by ABC, peaked around 13.1 million viewers, setting a nearly five-year record for the broadcast network.

ABC required Mr. Wallenda to wear a safety harness, much to his dissatisfaction. Partly for that reason, Mr. Wallenda signed up with Discovery for his next televised spectacle. His walk on Sunday was produced by Peacock Productions, a unit of NBCUniversal’s NBC News, for Discovery, which is why two co-hosts of the “Today” show, Natalie Morales and Willie Geist, were the hosts of the program, titled “Skywire Live With Nik Wallenda.”

In the lengthy prelude to the event, Ms. Morales and Mr. Geist repeatedly emphasized that Mr. Wallenda would not wear a harness this time. “This was Nik’s decision and we honored it,” Laurie Goldberg, a Discovery spokeswoman, said in an e-mail message. Discovery televised the walk on a 10-second delay, so the channel could have cut away had Mr. Wallenda fallen.

Spurred by chatter on Twitter and Facebook, the audience of “Skywire Live” gradually grew from 8 to 9:30 p.m., then spiked around the time he started to walk at 9:38 p.m. The total audience between 9:38 and 10:01 p.m. was 12.98 million viewers.

Most, but not all, turned the channel after Mr. Wallenda was back on solid ground. Discovery aggressively promoted a new reality show called “Naked and Afraid” during the wire walk. Its premiere immediately afterward garnered an average of 4.16 million viewers, enough to make it the second-highest-rated new show in the channel’s history.

On Monday, Discovery described “Skywire Live” as its “highest-rated live event,” far surpassing its coverage of Felix Baumgartner’s jump from 128,100 feet in October.

At the end of Sunday’s program, Mr. Wallenda said that for his next stunt, he hoped to walk “between two skyscrapers in New York City.”

On Monday afternoon, though, the N.Y.P.D. commissioner, Ray Kelly, said he’d oppose a tightrope walk between the Empire State Building and the Chrysler Building: “I don’t think it would be wise in this city.”

Article source: http://www.nytimes.com/2013/06/25/business/media/high-wire-canyon-walk-drew-13-million-viewers.html?partner=rss&emc=rss

Media Decoder: ABC Creates Commercial to Save Its ‘Happy Endings’

The impulse among television superfans to create “save our show” campaigns for every imperiled sitcom and drama has been co-opted by one of the very networks that shows have to be saved from.

“Friday, March 29, you can save ‘Happy Endings,’ ” intones ABC’s new commercial for the low-rated sitcom. A graphic at the beginning of the ad has the word “SAVE” in bright red letters.

Call it ingenious or call it cynical — television bloggers have called it both in the last few days. “ABC Starts a Campaign to Save ‘Happy Endings’ From ABC,” read an emblematic headline on the comedy Web site Splitsider.

“If ‘Happy Endings’ Winds Up Canceled, ABC Plans to Blame You,” said TV.com. The write-ups are proof that the ad is having its intended effect, stirring talk about the two-year-old series, though ABC declined to comment on the ad or on its larger strategy surrounding the show’s return on Friday from a two-month hiatus.

Friday is a new time slot for “Happy Endings,” and not an entirely comfortable one; television viewership is relatively low on Friday nights and shows are frequently canceled after short stays there. Savvy viewers know that, which might be why ABC took the “Save ‘Happy Endings’ ” tack with the ad that made its debut late last week.

Jezebel subsequently published a list of five reasons the show was worth saving. (Among them: “The characters are not always likable, but they are always lovable.”)

ABC is also relaying the “save the show” message with Internet ads. Nielsen ratings will determine whether it can be saved. Despite what the ad states, it might be too late: TV by the Numbers, a Web site that algorithmically assesses the chances that shows will be canceled, wrote of “Happy Endings” last week, “Fans are kidding themselves if they think ABC will renew it.”

A version of this article appeared in print on 03/25/2013, on page B6 of the NewYork edition with the headline: ABC Asks Fans to Save a Show .

Article source: http://mediadecoder.blogs.nytimes.com/2013/03/24/abc-creates-commercial-to-save-its-happy-endings/?partner=rss&emc=rss

Media Decoder Blog: The Breakfast Meeting: Strong Ratings for ‘Downton,’ and New Life for Two Soaps

The Breakfast Meeting

What’s making news in media.

“Downton Abbey” began it third season on PBS by drawing nearly 8 million viewers to local public broadcasting stations. As Brian Stelter reports, preliminary ratings suggest that the show catapulted PBS into the same league as commercial broadcasters like ABC and NBC — at least for a night. With 7.9 million viewers, the premiere on Sunday night “quadrupled the average PBS primetime rating” and exceeded the average rating of the second season premiere by 96 percent, according to PBS and member station WGBH. While “Downton Abbey” was on, PBS outrated Fox, ABC and NBC, according preliminary Nielsen ratings. (CBS still ranked No. 1 for the night with episodes of “The Good Wife” and “The Mentalist” that had 10 and 10.7 million viewers, respectively.)

The music of Led Zeppelin may be coming to an online streaming service soon. Ben Sisario reports that the band is in negotiations with a number of subscription services for the right to stream “Whole Lotta Love,” “Stairway to Heaven” and the rest of the band’s classic catalog. If it does reach a deal, the band — one of the biggest-selling acts in history — could help legitimize the subscription market, which has been slow to build a large customer base. Among the companies in potential competition for the exclusive rights are Spotify, Rhapsody and Rdio, along with Deezer, which began in France and is interested in the American market. Depending on which service gets the deal, the band’s presence could tip the competitive scales between them, putting a leader like Spotify far ahead or giving a needed boost to a smaller company like Rdio.

The canceled ABC soap operas “All My Children” and “One Life to Live” are being given a new lease on life by Prospect Park, a Hollywood production company. Brooks Barnes reports that the company, run by Jeff Kwatinetz, will resume production on the serial dramas in February. Prospect Park has solved the union and financing problems that torpedoed the soap-saving effort after it was first announced last fall. The company on Monday confirmed that new agreements are in place with the major actors’ union, SAG-AFTRA, and with the Directors Guild of America. The “necessary financing” is also set, as is the involvement of Agnes Nixon, the creator of both soaps. The Online Network also named three other senior executives. “All My Children” last aired in September 2011; the last airing of “One Life to Live” came in January 2012.

A new advertising campaign for the Crohn’s and Colitis Foundation of America features print and television ads designed to increase awareness of the debilitating ailments. The pro bono effort is by the New York office of DraftFCB, part of the Interpublic Group of Companies. Print ads encourage readers to learn more about Crohn’s disease by visiting a microsite, EscapeTheStall.com. In a commercial for the campaign, the viewer hears, “Chances are you know someone with I.B.D.” The voice turns out to be that of the actress Amy Brenneman(“Judging Amy” and “Private Practice”), who says near the end of the spot, “Someone like me.” As Andrew Adam Newman reports, the organization hopes that the public service announcement will run widely on television and in movie theaters. Other elements for the campaign include billboards and ads online and in airports. Ads printed on transparent adhesive film will even appear on mirrors in public restrooms.

Article source: http://mediadecoder.blogs.nytimes.com/2013/01/08/the-breakfast-meeting-strong-ratings-for-downton-and-new-life-for-two-soaps/?partner=rss&emc=rss

Media Decoder Blog: Nearly 8 Million Tuned to ‘Downton’ Premiere

Preliminary ratings for the third season premiere of “Downton Abbey” suggest that the show has done something remarkable: catapulted PBS into the same league as commercial broadcasters like ABC and NBC, at least for a night.

With 7.9 million viewers, the premiere on Sunday night “quadrupled the average PBS prime time rating and exceeded the average rating of the second season premiere of “’Downton Abbey”’ by 96 percent,” PBS and a member station, WGBH, said in a news release on Monday.

The high viewership indicates two things: that many fans of the first two seasons tolerated the delay of months between the British premiere of the third season and the American premiere and that positive press for the show has generated new fans.

While “Downton Abbey” was on, PBS outrated Fox, ABC and NBC, according to preliminary Nielsen ratings. (CBS still ranked No. 1 for the night with episodes of “The Good Wife” with 10 million viewers and “The Mentalist” with 10.7 million.)

” ‘“Downton Abbey’’ continues to enthrall audiences nationwide, and this season is especially riveting with the addition of Shirley MacLaine to the cast and the lively interaction between her and Maggie Smith,”” Paula Kerger, chief executive of PBS, said in a statement. “”I’m so pleased that audiences have returned to ‘‘Downton Abbey’’ on their local stations to continue to enjoy some of the best drama on television.””

Article source: http://mediadecoder.blogs.nytimes.com/2013/01/07/nearly-8-million-tuned-to-downton-premiere/?partner=rss&emc=rss