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James Gandolfini Is Dead at 51; Tough-Talking Mob Boss in ‘Sopranos’

Mr. Gandolfini’s death was confirmed by HBO. He was traveling in Rome, where he was on vacation and was scheduled to attend the Taormina Film Fest. The cause was not immediately announced; an HBO press representative said that Mr. Gandolfini may have had a heart attack.

Mr. Gandolfini, who grew up in Park Ridge, in Bergen County, N.J., came to embody the resilience of the Garden State on “The Sopranos,” which made its debut in 1999 and ran for six seasons on HBO.

In its pilot episode viewers were introduced to the richly complicated life of Tony Soprano, a New Jersey mob kingpin who suffers panic attacks and begins seeing a psychiatrist. Over 86 episodes, audiences followed Mr. Gandolfini in the role as he was tormented by his mother (played by Nancy Marchand), his wife (Edie Falco), rival mobsters, the occasional surreal dream sequence and, in 2007, an ambiguous series finale that left millions of viewers wondering whether Tony Soprano had met his fate at the table of a diner.

The success of “The Sopranos” helped make HBO a dominant player in the competitive field of scripted television programming and transformed Mr. Gandolfini from a character actor into a star. The series, created by David Chase, won two Emmys for outstanding drama series, and Mr. Gandolfini won three Emmys for outstanding lead actor in a drama. He was nominated six times for the award.

HBO said of Mr. Gandolfini in a statement on Wednesday, “He was special man, a great talent, but more important, a gentle and loving person who treated everyone no matter their title or position with equal respect.”

Mr. Chase, in a statement, called Mr. Gandolfini “one of the greatest actors of this or any time,” and said, “A great deal of that genius resided in those sad eyes.” He added: “I remember telling him many times: ‘You don’t get it. You’re like Mozart.’ There would be silence at the other end of the phone.”

James Joseph Gandolfini Jr. was born in Westwood, N.J., on Sept. 18, 1961. His father was an Italian immigrant who held a number of jobs, including janitor, bricklayer and mason. His mother, Santa, was a high school cafeteria chef.

He attended Park Ridge High School and Rutgers University, graduating in 1983 with a degree in communications. He drove a delivery truck, managed nightclubs and tended bar in Manhattan before becoming interested in acting at age 25, when a friend brought him to an acting class.

He began his movie career in 1987 in the low-budget horror comedy “Shock! Shock! Shock!” In 1992 he had a small part in the Broadway revival of “A Streetcar Named Desire,” starring Alec Baldwin and Jessica Lange.

By the mid-1990s Mr. Gandolfini had made gangster roles a specialty, playing burly but strangely charming tough guys in films like “True Romance” (1993) and “The Juror” (1996). He had an impressive list of character-acting credits, but was largely unknown to the public when Mr. Chase cast him in “The Sopranos” in 1999.

“I thought it was a wonderful script,” Mr. Gandolfini told Newsweek in 2001, recalling his audition. “I thought, ‘I can do this.’ But I thought they would hire someone a little more debonair, shall we say. A little more appealing to the eye.”

“The Sopranos,” which also became a springboard for television writers like Matthew Weiner (who would later create the AMC drama “Mad Men”) and Terence Winter (who later create the HBO series “Boardwalk Empire”), drew widespread acclaim for its detailed studies of the lives of its characters, and, at its center, Mr. Gandolfini’s portrayal of Tony Soprano, who was tightly wound and prone to acts of furious violence. (He beat and choked another mobster to death for insulting the memory of his beloved deceased racehorse, to name but one example.)

Peter Keepnews contributed reporting.

Article source: http://www.nytimes.com/2013/06/20/arts/television/james-gandolfini-sopranos-star-dies-at-51.html?partner=rss&emc=rss

Jean Stapleton, Who Played Archie Bunker’s Better Angel, Dies at 90

Her agent, David Shaul, confirmed her death.

Ms. Stapleton, though never an ingénue or a leading lady, was an accomplished theater actress with a few television credits when the producer Norman Lear, who had seen her in the musical “Damn Yankees” on Broadway, asked her to audition for a new series. The audition, for a character named Edith Bunker, changed her life.

The show, initially called “Those Were the Days,” was Mr. Lear’s adaptation, for an American audience, of an English series called “Till Death Us Do Part,” about a working-class couple in east London who held reactionary and racist views.

It took shape slowly. The producers filmed three different pilots, the show changed networks to CBS from ABC, and Ms. Stapleton acted in a film directed by Mr. Lear, “Cold Turkey,” before “All in the Family,” as it was finally called, was first broadcast in January 1971.

For three or four months, hampered by mixed reviews, it struggled to find an audience, but when it did, it became one of the most popular shows in television, finishing first in the Nielsen ratings for five consecutive seasons and winning four consecutive Emmy Awards for outstanding comedy series. Ms. Stapleton won three Emmys of her own, in 1971, ’72 and ’78.

“All in the Family” was set in Queens. Most of the action took place in the well-worn but comfortable living room of the Bunker family, led by an irascible loading-dock worker named Archie whose attitudes toward anyone not exactly like him — that is, white, male, conservative and rabidly patriotic — were condescending, smug and demonstrably foolish. Memorably played by Carroll O’Connor, Archie bullied his wife, patronized his daughter, Gloria (Sally Struthers), and infuriated and was infuriated by his live-in son-in-law, a liberal student, Michael Stivic (Rob Reiner), whom he not-so-affectionately called Meathead.

Archie employed the vocabulary of a bigot and wielded the unenlightened opinions of a man from a bygone era who refused to admit the world was changing so much that it was no longer his naturally inherited domain.

But he was essentially harmless — small-minded but not meanspirited, ignorant but not unfeeling. Critics routinely referred to him as “a lovable bigot,” as if such a thing were possible. Edith loved him, certainly, though he referred to her, in her presence, as a dingbat and was perpetually telling her to shut up. “Stifle yourself,” was how he put it.

Edith was none too bright, not intellectually, anyway, which, in the dynamic of the show was the one thing about her that invited Archie’s outward scorn. Ms. Stapleton gave Edith a high-pitched nasal delivery, a frequently baffled expression and a hustling, servile gait that was almost a canter, especially when she was in a panic to get dinner on the table or to bring Archie a beer.

But in Edith, Ms. Stapleton also found vast wells of compassion and kindness, a natural delight in the company of other people, and a sense of fairness and justice that irritated her husband to no end and also put him to shame. She was an enormously appealing character, a favorite of audiences, who no doubt saw in the ordinariness of her life a bit of their own, and in her noble spirit a kind of inspiration.

Edith was not, like Ms. Moore’s Mary Richards, a spirited young professional seeking traction in a mostly male workplace, nor was she like Ms. Arthur’s Maude, a brassy, clamorously insistent personality.

Article source: http://www.nytimes.com/2013/06/02/arts/television/jean-stapleton-who-played-archies-better-angel-dies-at-90.html?partner=rss&emc=rss

James Gandolfini Is Dead at 51; Tough-Talking Mob Boss in ‘Sopranos’

Jean Stapleton, Who Played Archie Bunker’s Better Angel, Dies at 90

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