April 25, 2024

Profit Flat at Disney, as ESPN and Parks Smooth Setbacks in Film

The film, released on July 3, cost about $400 million to make and market but has taken in only $175.6 million worldwide, roughly half of which goes to theater owners. While other studios have also had flops this summer, “The Lone Ranger” is by far the biggest: Disney on Tuesday said losses from the film would total $160 million to $190 million, depending on how well it does overseas.

For the fiscal third quarter that ended on June 29, prerelease marketing expenses for “The Lone Ranger” contributed to a 36 percent decline in operating income at Walt Disney Studios. That decline offset growth from Disney’s cable television and theme park units, and Disney reported an overall profit of $1.85 billion — essentially flat from the same period a year ago.

That profit translated to $1.01 a share. In the year-ago quarter, net income was $1.83 billion or $1.01 a share. Revenue climbed 4 percent, to $11.58 billion.

Speaking to analysts in a conference call, Robert A. Iger, Disney’s chief executive and chairman, did not point fingers at “The Lone Ranger,” starring Johnny Depp, directed by Gore Verbinski and produced by Jerry Bruckheimer.

“We still believe that a tent-pole strategy is a good strategy,” Mr. Iger said, referring to big-budget movies. “You still have to make really strong films.”

The full write-down for “The Lone Ranger” will be taken in the current quarter, the fourth in Disney’s fiscal year.

As usual, the Disney division that includes ESPN drove the company’s financial performance; operating income at the Media Networks unit rose 8 percent, to $2.3 billion. ESPN benefited from contractual rate increases from cable providers and higher advertising sales, although programming costs also climbed. In particular, ESPN had to pay more for Major League Baseball rights.

Even though the Easter holiday fell in a different quarter this year, operating income at Disney’s theme parks increased 9 percent, to $689 million. The company said growth came from higher spending at Walt Disney World in Florida and Disneyland in California, both of which set attendance records.

In addition to trouble at its live-action Disney movie label, the entertainment giant faced trouble in the gaming and broadcast television divisions.

As expected, Disney’s video game and Web unit continued to struggle before the release later this month of a major gaming initiative called Infinity. Interactive operating losses widened to $58 million from $42 million.

Operating income at the ABC broadcast network and a string of local television stations fell 21 percent, to $213 million, because of higher prime-time programming costs, lower sales of reruns and a decline in advertising revenue tied to a decline in ratings.

Mr. Iger said he is “bullish” on the new programs ABC plans to introduce in the fall, but added, “until the season unfolds, you can never quite tell.”

Article source: http://www.nytimes.com/2013/08/07/business/media/profit-flat-at-disney-as-espn-and-parks-smooth-setbacks-in-film.html?partner=rss&emc=rss

‘The Croods’ and ‘Olympus Has Fallen’ Lead the Box Office

For the first time this year two movies arrived to $30 million or more in ticket sales in North America, giving studios hope that a dismal box-office stretch was behind them. “The Croods,” about a prehistoric family’s road trip, took in an estimated $44.7 million over the weekend, easily enough for No. 1, while “Olympus Has Fallen” took in a stronger-than-expected $30.5 million, for second place.

Even “Spring Breakers,” Harmony Korine’s lurid art-house tale of bikini-clad killers, lived up to its hype, taking in about $5 million in relatively limited national release.

Still, moviegoing in the United States and Canada remains deeply troubled. Ticket sales for the year to date total $2.06 billion, a 13 percent decline from the same period a year ago, according to Paul Dergarabedian, a box-office analyst for Hollywood.com. Attendance has fallen 14 percent.

Star-packed movies like “Gangster Squad” and “The Incredible Burt Wonderstone” have arrived to virtual shrugs. An expensive fantasy, “Jack the Giant Slayer,” flopped outright. Movies aimed at men (“The Last Stand,” “Broken City” and “21 Over”) have disappointed in assembly-line fashion.

One of the few exceptions, “Oz the Great and Powerful” from Walt Disney Studios, sold an additional $22 million in tickets over the weekend, placing third. “Oz” has now taken in $177.6 million in North America over three weeks. (Crucial overseas sales, however, have been soft.)

“The Call” (Sony) was fourth, selling about $8.7 million in tickets, for a two-week total of $30.9 million. “Admission,” a new comedy starring Tina Fey and Paul Rudd, was an underwhelming fifth, taking in about $6.4 million. But it cost Focus Features only an estimated $13 million to make.

DreamWorks Animation urgently needed the cave people of “The Croods” to succeed. The studio’s last release, “Rise of the Guardians,” was a box-office failure, prompting an $87 million write-down. “The Croods” also represents the beginning of a new distribution partnership for DreamWorks Animation, which parted ways with Paramount Pictures late last year in favor of 20th Century Fox.

Opening-weekend results for “The Croods,” which cost at least $135 million to make, are on par with “How to Train Your Dragon,” also from DreamWorks with a March release date, which took in $46.5 million over its first three days in 2010 (after adjusting for inflation) and went on to gross about $500 million worldwide and spawn two sequels, a TV series and a live arena show. But “How to Train Your Dragon” also received much stronger reviews than “The Croods.”

“Olympus Has Fallen,” an R-rated White House action thriller starring Gerard Butler, cost Millennium Films about $70 million to make and was distributed by FilmDistrict. Aside from giving Mr. Butler’s career a much-needed lift, the strong turnout puts pressure on Sony’s similar “White House Down,” planned for June release.

The inexpensive “Spring Breakers,” distributed by A24, played in 1,104 theaters — a huge release by independent film standards but a modest one compared with mainstream Hollywood. (“The Croods,” for example, was booked into 4,046 theaters.) Mr. Korine, still best known for writing “Kids” (1995), has never had this kind of success as a director; his previous four films took in less than $500,000 combined.

Starring Selena Gomez, Vanessa Hudgens and James Franco and fueled by drugs, sex and violence, “Spring Breakers” was backed by an aggressive social media marketing campaign orchestrated by A24, an upstart distributor, and theAudience, a company partly owned by the William Morris Endeavor talent agency that seeks to build (and exploit) networks of fans across Facebook, Twitter and YouTube.

This article has been revised to reflect the following correction:

Correction: March 24, 2013

An earlier version of this article referred incorrectly to the weekend box-office ranking of the film “Admission.”  It was fifth, not fourth;  fourth place was held by “The Call.”

Article source: http://www.nytimes.com/2013/03/25/movies/the-croods-and-olympus-has-fallen-lead-the-box-office.html?partner=rss&emc=rss