April 18, 2024

‘The Neighbors’ on ABC

But when it came to her sitcom “The Neighbors,” which began on ABC in September, “they couldn’t actually criticize, because they’re Jewish parents, and that’s a hard thing for them to do,” she said. “But they definitely were flummoxed.”

They weren’t the only ones. The pilot for the comedy, whose season finale will run on Wednesday, was eviscerated by critics, often landing on worst-show lists. Tim Goodman of The Hollywood Reporter called it “one of the least funny things to air on television since the last Hitler documentary on History.”

Certainly the premise sounded like the derivative brainchild of a network executive: Marty and Debbie Weaver (Lenny Venito and Ms. Gertz) and their three children move from a cramped apartment in Bayonne, N.J., to a town house in an upper-middle-class suburban subdivision, where it turns out the neighbors are extraterrestrials: the Zabrovians, stranded on Earth after a mission a decade earlier. By the way, the aliens all dress in golf wear, speak in stilted language and name themselves after famous American athletes.

The vision for the series, though, came from the executive producer Dan Fogelman, who got the idea while watching people putter around his mother’s condominium community in Manalapan, N.J. He wrote the pilot aiming for a family show that just happened to have extraterrestrials in it. Despite the extensive history of aliens on TV, from “My Favorite Martian” to “Third Rock From the Sun,” Mr. Fogelman, whose credits include the film “Crazy, Stupid, Love,” took a screenwriter’s perspective in defense of his series, saying that “the truth is there’s been five or six shows in 50 years of television that had an alien component, but every year in film there’s 20 films” that feature aliens.

“We just did what we thought was funny and was entertaining,” he continued, adding that it was tough to insert what he considered the show’s heart in an exposition-heavy pilot. “What we have to do is tell a story of this human family that’s moving into a new house and discovering that everybody in the community is aliens and then also learn why the aliens have come to Earth. It was a lot to do in 22 minutes.”

The bad reviews took everyone by surprise. “I started thinking, ‘Am I the crazy one?’ ” said Simon Templeman, who plays the Zabrovians’ leader, Larry Bird. “Then I give the scripts to my kids to read. I hear them both chuckling. One is 13, and one is 20. I thought, ‘No, I am not crazy.’ ”

Toks Olagundoye, who plays Larry Bird’s extraterrestrial wife, Jackie Joyner-Kersee, suggested that minds were made up before the pilot was even broadcast. “I think people thought: ‘Oh God, two families and one family is an alien family. This is going to be stupid.’ The second they put the word ‘stupid’ in their own head, they wrote off the possibility of it being an intelligent comedy, and it really is.”

Mr. Venito said the critics had shackled the show to aliens of television’s past. “I remember we got compared a lot to ‘Alf,’ which I still can’t understand,” he said. “So they felt like you’re trying to get by on some gimmick and make a lot of money. That’s not what it’s about.”

Despite the negative reviews “The Neighbors” has survived during a season in which many new comedies were either canceled or suffered ratings declines. The show’s viewership, around six million a week, isn’t spectacular and represents a 25 percent drop-off from “The Middle,” the sitcom leading into it, but the audience has held steady throughout most of the season. While there’s no indication that it will get renewed for a second season, its performance has been more consistent than most of ABC’s other new comedies. And some critics have revised their opinions.

“I thought there were some laughs” in the pilot, said Marc Berman, editor of TVMediaInsights.com, “but I found it to be more irritating than funny. I didn’t see where the show was going to go, I didn’t see a Season 2. It was a novelty that’s not going to work.” But the family stories and somewhat more tempered pace won him over. “They slowed the pace down, focused more on the characters and situation.”

As the season unfolded, Mr. Fogelman and his writers focused on the relationships between the Weavers and the Bird-Joyner-Kersees instead of alien gadgetry or reveals of their real gooey-green selves. A relationship between the Weavers’ daughter Amber (Clara Mamet) and the Zabrovian teenager Reggie Jackson (Tim Jo) has also developed. “What we’ve found that what audiences latch onto more is the human stuff,” Mr. Fogelman said, “the alien stuff with a human tilt.”

In February, sensing the turning tide of reviews, he worked with ABC on an unusual ad featuring excerpts from the initial negative notices, followed by blurbs from the subsequent positive ones, with the tagline “It’s O.K. to say you like it.”

Mr. Fogelman told the network: “Let’s just own it, and let’s start with everything people are seeing and let’s make that part of the story, because not only are we succeeding but we have had to overcome a fair amount of criticism to succeed.”

The network’s marketing department was interested in the opportunity to try something different. “Whenever someone jumps on the bandwagon of negativity, people are afraid to embrace their own opinions about things,” said Marla Provencio, the marketing chief for ABC’s entertainment division. The promotion’s message was, “If critics changed their minds on it, you can too.”

Either way the show’s stars and Mr. Fogelman view the low expectations for “The Neighbors” as a blessing in disguise. “I would rather start at a place where people are thinking it is not going to work and end up in a place where everyone has to apologize than start in a place where everyone thinks it is going to be fantastic and it fails,” Ms. Olagundoye said.

In the finale the science-fiction fan favorites George Takei and Mark Hamill will make guest appearances. Mr. Fogelman said the episode is a strong conclusion to a strong first season, no matter what the critics say. “I’ll never quite understand critical stuff,” he said. “I don’t understand it when it goes in my favor. I don’t understand it when it goes against.” Then again, he said, “I guess it’s not my job to.”

Article source: http://www.nytimes.com/2013/03/24/arts/television/the-neighbors-on-abc.html?partner=rss&emc=rss

Novelties: Online Textbooks Aim to Make Science Leap From the Page

That’s because the book was designed to be digital-only. Students will pay not for a printed edition at a bookstore, but for permanent access on the Internet ($49).

And when they open the book on their laptops, tablets and smartphones, they will find other differences, too. True, the text is packed densely with definitions and diagrams — it is meant to teach college-level science, after all, and is from the publishers of the august journal Nature.

Still, this isn’t your usual technical tome. The pages have some pizazz: they are replete with punchy, interactive electronic features — from dynamic illustrations to short quizzes meant to involve students rather than letting them plod, glassy-eyed, from one section to the next. Audio and video clips are woven into the text.

“We want to take advantage of the things only digital media can do, and that are superior to print, to broaden the ways students learn science,” said Vikram Savkar, senior vice president and publishing director at Nature Publishing. “We want students to measure a chapter not by how much they read, but by how much they learn.”

The book offers many dynamic, interactive illustrations. As students learn about the genetic code, for example, they can match amino acids to corresponding sequences on the double helix to understand how an entire protein emerges from genetic sequences.

Midway through a chapter, some interactive elements will quiz students on what they have just read — and provide hints and pointers when their answers are incorrect.

“Principles of Biology,” Mr. Savkar’s brainchild, was two years in the making. A Harvard graduate with degrees in physics and classics, he wanted to move beyond early e-textbooks that were essentially static electronic reprises of the print versions.

Most science e-books “are still PDFs of print books that are scanned and put online,” he said. (A PDF format preserves the original appearance of a page when it is viewed electronically.)

“But if the best way to learn is to see something moving, we teach that through a piece of interactive media, integrated right into the text,” he said. “If a quiz is the best way, we do that.”

Nature Publishing, a division of Macmillan Publishers, chose to make the browser central to the textbook, rather than creating individual apps for students to use on electronic devices — an expensive procedure that might require as many as 20 versions, Mr. Savkar said. Instead, the Web site senses which device a student is using, say a laptop or a tablet, and delivers the appropriate format to the browser.

“This is a world where students have many devices, and they expect to have whatever they need when they need it,” he said. “But no matter what device they go to, the browser is there, and therefore our textbook is there, too.” For offline use, students can download a digital edition to read on a desktop. They can also print copies if they prefer a paper version.

The biology text, tested this past year at some campuses of California State University, is the first of a series of digital textbooks planned by the company.

OTHER publishers are also experimenting with technologies that enliven the static pages of electronic technical textbooks and documents. This summer, Wolfram Research, known for its computing software Mathematica and its Web search tool Wolfram Alpha, introduced a new format as well as a free player with a built-in math engine. (The player can be downloaded at wolfram.com/cdf-player.)

The format allows for routine use of interactive illustrations. With them, readers can change a problem’s parameters and watch as the illustration recomputes and re-forms accordingly. On an image of an oil slick, for example, you might move the contour outline to a point where the slick has a given thickness, or superimpose a photographic view over a computed one.

At Walla Walla Community College in Washington, Eric Schulz, who teaches mathematics, used Wolfram’s tools to create an interactive, digital version of the textbook “Calculus,” written by William Briggs and Lyle Cochran and published by Pearson. Students can manipulate 650 interactive figures, including graphs of functions, derivatives, and integrals, as they learn the basics of calculus.

Conrad Wolfram, strategic director and European co-founder at Wolfram, says he hopes the company’s technology will be used not only in textbooks, but also in business reports and journal papers. “You can add this dynamic content without hiring a host of programmers to create interactivity,” he said.

The interactive tools can already be seen in some entries at Wolfram Alpha, the search site. For example, after downloading the player, enter “double pendulum” in the search bar or “binarize Lady Gaga photo with threshold x” and watch as live calculations change the double pendulum’s movement when the string is shorter or the load heavier, or change the image of Lady Gaga as it is binarized — or changed from an analog to a digital image with two choices of pixels.

If such illustrations provide a better understanding of terms like “binarize” or “double pendulum,” they’ve done their work — and maybe we’ll soon see more of them in electronic textbooks, papers and company reports.

E-mail: novelties@nytimes.com.

Article source: http://www.nytimes.com/2011/12/18/business/online-textbooks-aim-to-make-science-leap-from-the-page.html?partner=rss&emc=rss