“Last week, we received the correct credits from the label that recognize Annie Clark, Jack Antonoff and Taylor Swift as songwriters of an interpolation on the track, ‘Deja Vu,’” the academy said in a statement. “In keeping with current Grammy guidelines, as songwriters of an interpolated track, Clark, Antonoff and Swift are not nominees in the album of the year category for ‘Sour.’”
The ban on interpolation credits also means that the writers of another track, Paramore’s “Misery Business” — who were added to the official credits for Rodrigo’s song “Good 4 U” — cannot share in the nod for “Sour.” Another “Sour” track, “1 Step Forward, 3 Steps Back,” also interpolates a Swift song, “New Year’s Day” (2017), written by Swift and Antonoff.
Grammy rules also explain the absence of a songwriting nomination for Cole Porter on Tony Bennett and Lady Gaga’s “Love for Sale,” a collection of a classic Porter songs like “Night and Day,” “It’s De-Lovely” and the title track. The awards recognize only the contributors of new material; most of Porter’s songs on the album are standards that date to the 1930s.
Last week, the academy removed Marilyn Manson from the best rap song category and added a songwriter, Linda Chorney, to the best American roots song category. (Manson was cited in error as a writer on West’s “Jail,” and Chorney, who has criticized the Grammy process in the past, was reinstated after an “audit” by the academy’s accounting firm flagged her name.)
In last month’s nominations, the academy also expanded the ballot in the top four categories — album, record and song of the year, and best new artist — to 10 slots apiece, from eight, after a last-minute approval by the organizations’s board of trustees.
Article source: https://www.nytimes.com/2021/12/06/arts/music/olivia-rodrigo-taylor-swift-grammy-nomination.html
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